The first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

An overview of the influential work of a key figure in experimental film and video.

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

First monograph.

Julien Blaine's new collection of poetic, visual and typographic experiments.

This first monograph dedicated to Paloma Bosquê addresses the Brazilian artist's frustration with the visual as key to understanding of what lies beyond language, of that matter that can be perceived, but not rationalized.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

This zine gathers several photos, collages and drawings of Barry Mc Gee. He created a unique visual language, composed of geometrical patterns and recurring symbols.

Between philosophical essay and poetic experimentation, this text by the Chilean philosopher and artist pays tribute to Fernand Deligny, whose work on autism has allowed a more experimental understanding of difference.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

"Out of Our Hands" brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

Hyperrealist photographer of California skateparks Amir Zaki's new monograph covers twenty-plus years of photographic work, including an essay and interview.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

The audience's human body and the museum institution.

Ruth Asawa, Virginia Overton, André Cadere, The Otolith Group, Éliane Radigue, Pierre Molinier...

Julien Carreyn captures the singularity and strangeness of a cultural center during a residency.

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

First monograph.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

Retrospective monograph.

New monograph.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

A remake of Pieter Brueghel the Elder in the form of an artist's poster/book to unfold (and perform).

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

First monograph.

Autobiography by Jacopo Benassi is a series of self portraits taken during the night, during the lenght of a dream, described by the artist in the first page.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

The culinary performances and installations of the Japanese artist based in Paris (book printed in fluorescent pantones).

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

Two rare historical recordings (1983 and 1986) by the godfather of Dark Ambient, originally released as single sides and gathered here for the first time.