Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Philip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

Issues 39 to 41 of the critical review dedicated to graphic design.

An anthology of silence pieces from the records history.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

This new monograph from Niko J. Kallianiotis presents photos taken in and around Athens, the city in which he grew up. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar.

Persistence of Sound presents a new album from one of British sound art's most original voices.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

A survey of the abstract and contemplative work of Pakistani artist Imran Mir (1950-2014), with fifteen essays.

A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

A survey of the pictorial work of the Afro-Brazilian artist, writer and activist, with fifteen essays.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

Meditations on cinema and method.

Meditations on cinema and method.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

A proposition opened up by Umashankar Manthravadi in his practice as an acoustic archaeologist, bringing together writers, choreographers, composers, actors, dancers, musicians, field recordists and sound, light, and graphic designers who engage and transform each other's work.

The current crisis of museums and the future of Institutional Critique.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

Julia Reidy's 7th album is an intimate set of songforms using just intonation guitar, electronics and voice: both rigorously experimental and emotive, World in World is undoubtedly the finest work yet of the prolific Berlin-based guitarist-composer.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

An exploration of the performativity of the law within Egypt's spectral legal reality.

An intimate dialogue between the works of the two artists over four decades.

The return to Lithuania of Francesco Cataluccio.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

Selina Trepp's "dirty drawings".

A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

An acoustic mapping of colonial history.

A gallery of portraits of a hundred artists and music activists taken in Philippe Levy's Parisian apartment, turned into a studio, each guest choosing (and reviewing) a record from the photographer's vast personal record library for the shoot.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).