Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The Italian artist's research around the issues of normativity and the institutional stigmatization of mental illness.

Marking an important step in the discography of the Portuguese musician, Oeste A.D. is crossed by a nostalgic impulse, between a nod to the theme of the Expo 98 in Lisbon and a tribute to the best productions of Fennesz and Black Dice in the early 2000s.

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Unseen images of the Great Depression from the famed chronicler of the African diaspora.

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces on 12" vinyl and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

A dialogue between the saxophone and the viola.

A novel by Liam Gillick.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

Everyday life on the Haight: previously unseen portraits from the hippie epicenter by the acclaimed documentarian.

Culled from field recordings, sampled orchestral noises, and voice recorders, the new production by New York artist and composer Nickolas Mohanna explores the spatial impressions of sound within a delicate acousmatic language; producing expressionistic collages that translate into wide-screen cinematic terrain.

An exploration in thirteen chapters of the question of the name, in a poetic ensemble crossed by childhood, memory, and the obsession of the return.

A collection of texts about time and artists working with it.

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

The score for Romeo Castellucci and Scott Gibbons' stage work.

Collecting previously unissued works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, "Drumming Up Trouble" focuses on a hitherto almost unknown aspect of Alvin Curran:'s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion.

A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

Zoran Terzić's wide-ranging and sharply detailed essay takes up the cultural-historical figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the art of idiocy that extends outside the hypertrophic present.

A new series of intimate scenes composed in the tradition of great seventeenth century Dutch painting by the American photographer.

A collection of texts about space and artists working with it.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

How Thomas Ostermeier's productions explore the links between literature and theatrical art in order to question, through a complex realism that he reinvents, what the works have to say about the political and social reality of our present.

An indispensable introduction to the wonderfully moving and expressive parlour music of Dominique Lawalrée (1954-2019).

This book is dedicated to the work of Destroyers/Builders (Linde Freya Tangelder), as part of a series of monographs on the thought and work of young contemporary designers.

A visual anthology compiling the contributions of the filmmakers who are part of the Light Cone collection, a key institution for the distribution, promotion and preservation of experimental cinema in France and around the world, on the occasion of its 40th anniversary.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

A vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions by artists Filipa Cordeiro, Joăo Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

A volume that gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced, accompanied by a vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

Interviews with Virginie Despentes, Claire Denis, Vincent Berthelier on the myth of the articulation between literary style and reactionary ideology, Marlene Monteiro Freitas, Virginie Maris on the frontier between the "savage" and the "civilized", Albert Serra; the cultural clandestinity in Kabul; the thriller festival in Gijón; the struggle of transgender artists...

The third album by Marsen Jules, both introspective and visionary, modest and ground-breaking, remastered by Stephan Mathieu and with a new artwork by Umor Rex's Daniel Castrejón.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Philip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.