The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Morton Feldman's last composition, performed by dissonArt Ensemble.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

Publication dedicated to Lebanese artist Nayla Romanos Iliya's "Small Characters" sculptures, inspired by and named after each of the 22 letters of the Phoenician Alphabet.

Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

The first monographic volume on the graphic work of Belgian artist Petrus De Man.

An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.

A project by architects Hamed Bukhamseen and Ali Karimi questioning geopolitical strategies related to the development of Kuwait's global oil distribution.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

The series of photographs taken by Jean-Luc Moulène of his partner of ten years, Laurence Lorenzi (1956-2004).

Monilola Olayemi Ilupeju's debut collection of writing.

An exploration of the shifting acoustic ecology of the Western Isles.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

The hyperpop phenomenon in London, Rébecca Chaillon, viticulture and glyphosate, bootlegs and record piracy, Oona Doherty, after nature with the geographer Flaminia Paddeu, Tsai Ming-liang's cinema, Lydie Salvayre...

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

The form and identity of artistic practices.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

Three extraordinary texts—pitched between writing and image—that project Artaud's ferocious engagement with the act of drawing.

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

The astounding reedition of seven albums exploring the electro-acoustic experiments of Texan composer-performer Jerry Hunt and others affiliated with his Irida label.

Sound American #29 celebrates Art Ensemble of Chicago founder and American iconoclast, Roscoe Mitchell.

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

A large research into the first, long forgotten film by Moroccan filmmaker Mostafa Derkaoui About Some Meaningless Events (1974): a cinematographic history that sketches out a constellation of micro-histories on the cultural, artistic and political Morocco of the 1970s.

The photographs and drawings, mostly unpublished, made by the Italian architect back from the Russian front in 1941.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

A visual diary of Ibrahim Mahama's impressive work in his native Tamale in Ghana, a community-based project founded on the understanding of art as totalizing, reparatory experience: a catalyzer of energies directed for change and social progress.

An iconographic work on the modern architecture of Abidjan which aims to offer a photographic survey of thirty buildings representative of the chosen moment of architecture that followed independence.

An art book by musician and artist Loren Connors, exploring his pictural practice.

A retrospective.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

A research work by the artist Lara Almarcegui on the "Maisons Castors" housing complex in Villeurbanne, which originated from a collaborative self-building movement of the 1940s, through which groups of families built their dwellings by pooling their skills.

The General Idea drawings.

Publication constituting a continuation of Melody, the installation created by David Douard for Sculpture Garden, acquired by the city of Geneva, and which was subsequently vandalized.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

Curator without a System brings together, for the first time in English, a rich variety of essays by the curator Viktor Misiano written between 1988 and 2005.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.