Lagoss (comprised of Tenerife based veteran producers Gonçalo F. Cardoso, Mladen Kurajica and Daniel García) and Banha da Cobra (Lisbon-based musicians Mestre André and Carlos Godinho) introduce the first volume on the "Aquapelagos" series—a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

The first book on the art-world legend who installed his ephemeral sculptures on the streets of New York's East Village.

An in-depth study of Peter Märkli's work through an extensive body of 700 drawings by the Swiss architect, with eight essays.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

An artist's guide to copyright, written for makers.

In this small volume, normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush, moving throughout this strange, surreal universe as if they were real people. The result is a series of darkly funny paintings that shed light on our own mundane realities.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

An architectural fiction that takes the form of a photo novel, born from the meeting between an author, Ugo Bienvenu, and the architects of the French Pavilion of the 18th International Architecture Biennale in Venice.

The first book to bring together Dan Mitchell's complete posters and flyers.

This book presents a wide selection of works from Prvački's daily watercolor practice that began during the Covid19 pandemic. It guides us through the inner and outer landscapes of the recent years we traversed as we grappled with the complex emotions of a world turned upside down.

an essay that opposes the discourses of justification led by artists and other agents in the field of art with a materialist conception of the history of cultural institutions. The author argues for an abolitionist approach towards art institutions against more reformist, corporatist and formalist approaches of emancipation that still prevail in the art sector.

A comprehensive overview of performance and action art in Greece, from its origins to the most contemporary practices.

A singular book resulting from an investigation on the arts of sharing sound in an art school based on experiments with Scott Arford, Mario de Vega, Kevin Drumm, Christina Kubisch, Randy H.Y. Yau, art students and Jason Kahn who offers here a text on his listening to the place.

In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.

Recital presents As Above, So Below, a new album from French multi-instrumentalist Delphine Dora, centered around mystic piano and voice recordings.

As part of a series of publications on singular architectural bodies of work, this volume presents three projects by architects working with Bernard Quirot in Grachaux, Haute-Saône (France), which examine three materials and their use in a local perspective of "critical regionalism".

First monograph, bringing together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

Edited, translated and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud's last, most intensive and terminal work for the first time.

The screen age: art and video.

An exploration of emerging Italian design, revealing a great variety of approaches to the discipline.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

The new album of the French duo Puce Moment—a climatic music, often inhabited by a strong emotional power.

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A guided tour to Ana Jotta's most immersive project.

Remastered vinyl version of Oren Ambarchi's landmark release, one of his most beautiful records, at once dense, deep and luminous.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

An overview of the Canadian designer's creative process.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

A brand new body of recent works by the French painter.

Never released before recordings by the improvising quartet Alterations (active from 1977 to 1986, and reforming in 2015) from Logos Foundation live sessions at Logos Foundation, Gent, Belgium on January 3, 1981.

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with "Modern Sorrow", with a radical but deeply sensitive reduction of contemporary pop production.

The Parc la Villette, Paris, as told by a series of mobile barriers.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

Conserving the Future is the book that bears witness to twenty-five years of curating contemporary art in the same place: the Fondazione Querini Stampalia in Venice.