A tiny collection of three short stories by Chinese author Can Xue that immerse readers in a world where reality and absurdity collide.

The largest presentation of Marie-Louise Ekman's art ever featured in the form of a book.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

Yann Toma explains what is Ouest Lumière and "Presidential Art" (limited edition with an original artwork signed by the artist).

Yann Toma explains what is Ouest Lumière and "Presidential Art".

A magazine printed with white ink on white paper (with Gilbert & George, Yoko Ono, Lawrence Weiner, Liam Gillick, Martin Creed, Christian Boltanski, Hans Ulrich Obrist, Niele Toroni, Art & Language, Steven Parrino, Maurizio Cattelan, Tom Morton, Swetlana Heger, Didier Marcel, Angela Bulloch, Daniel Buren...).

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

A lavishly illustrated monograph, structured around an extensive and thorough discussion between Lionel Estève and Herman Byrd, that works as an entry gate to the artist's work, which interrogates the multiplicty of infinity and reality.

An artist's book documenting apartment installations created with a series of twelve photoworks (limited numbered edition).

This card game invites artists and/or researchers to use divination arts to practice the methodology known as research-creation, in a horizontal and friendly way.

A joint catalogue focusing on two group exhibitions at the Künstlerhaus Graz dedicated to the examination of current performative practices in relation with the main works of historical forerunners.

First monograph, including paintings, many detail views of the paintings, drawings and filmstills (also available in English / German edition).

First monograph.

New monograph.

This monograph documents the solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg and also focuses on Kuris' marble works since 2006.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

Second (and last) volume of the short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

A collection of works dating from 2012 to 2016, documenting one of the key figures of today american avant-garde at his peak of creativity, nicely remastered by Giuseppe Ielasi.

Federico Pepe's Magnum opus (limited edition artist's book).

Contributions by architects, philosophers and artists on the theme of time and architecture (conceptualized temporality, temporality in Japan, consideration of time in the architectural projects, new temporalities of public space...).

13 drawings by American artist.

Reference monograph (available in English edition).

The artist's first comprehensive monograph, with specially commissioned essays, as well as numerous reproductions and, for the first time, the preparatory drawings for the films and installations.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

A timeless photographic ballad, through a few shots taken in the archeology museum in Athens.

An original music by Murcof which is the framework of Patrick Bernatchez's film “Lost in Time”, a sound project that is part of the explorations around Bach's “Goldberg Variations” initiated in Berlin in 2010.

A statement about speculation, photography, time and withdrawal.

An artist's book thought of as a supplementary edition to the artist's previous book as well as an extension of a performance set in MoMa PS1 in 2013.

First monograph.

The history of art in the context of universal exhibitions since the late nineteenth century to Charles de Meaux's visual and sound installation for Yeosu 2012.

Artist's book.

12 conversations with theoreticians and activists critically engaged in the cultural field, exploring Cultural Studies and raising issues of postcolonialism, globalization, and activism.

New feminist role models.

This publication presents an extended interview with the French architect Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin Seror that took place between 2013 and 2015. It features a wide selection of drawings by Parent.

Artist's book dedicated to Alessandra Spranzi's beautiful eponymous series of photographic collages.

Perhaps It Is High Time for a Xeno-architecture to Match is a Brussels-based curatorial and research project that seeks to examine the possibilities for re-radicalizing architecture. This publication documents a conversation series from January to March 2017 that sums up their reflections.

This charming volume stages a dialogue between an ink-drawn character named Little SomeOne, and her creator, illustrator and writer Perrine Rouillon.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

Bob nickas' exhibition catalogue, presenting some On Kawara's Date paintings in face of various contemporary photographies.

Artist's book: Jessica Stockholder's adult ABC, in which poetry, cut-outs, letters and word play jockey with the visual languages of collage, sharpie pens, wax crayons, and fluorescent colors.