First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

T. J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

Investigating the relationship between movement and sound, the duo has been developping installations to translate sound frequencies into vibrations. This double vinyl LP includes four recordings produced as part of this research project.

This first monograph dedicated to Maxime Bondu's work includes an essay by Daniel Kurjakovic and focuses on nine of the artist's essential installations. Numerous sketches, drawings, mock-ups, archival material and exhibition views contribute to throw light on an experimental, speculative oeuvre that explores alternative readings of the world, history and society.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

Special issue featuring an original collection of 24 short literary works by visual artists and writers—in addition to the usual contents.

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

The enticing story of fashion label Thema Selection and its founders, contemporaries and companions.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

Art Basel's 2015 official annual publication.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

A photographic portrait of Kampala's bustling nightlife.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Essays about the work of Victor Burgin.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

Starting with the SARS outbreak that affected Hong Kong in the spring of 2003, this publication traces the different narratives, historical backgrounds as well as the implications of these events in relation to the contemporary culture and politics of Hong Kong.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

A textual and visual account of Schaerf's FM-Scenario, an inter-media project using the Internet as a production site for generating content for further media. The core of this project is a fictitious radio station, moderated by a computer program meant to guaranty his listener full freedom of speech.

The story of an iconic work by Claude Rutault.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Proposals for an ecology of diagnosis.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.