Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

Reference monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

A series of blue ballpoint pen drawings capturing capitalist executives and far-right leaders as grotesque monsters in suits.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

A photographic dive into the avant-garde of a New York at the height of its decadence and cultural importance.

Artist book / first comprehensive monograph.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

The first monograph of London-based Syrian-Armenian artist Hrair Sarkissian—one of the leading figures working with photography globally today.

Autobiography by Koo Jeong A is a collection of images chosen by the artist via Periscope. Each of them represents a work created by Koo Jeong A during her career.

Sound American Publications' 27th issue, The Life Issue, proposes a reflection upon the smallness—and largeness—of living amidst a tumultuous, globally-shared moment (featuring Claire Rousay, Susan Alcorn, Jack Langdon, Lea Bertucci & Audrey Chen, Katie Porter, Ahmed Abdul-Malik, Henri Pousseur, Chris Pitsiokos, Catalytic Sound collective, Ka Baird, Mazen Kerbaj...).

Part children book, part exhibition catalogue, Fake Star is a book about an exhibit in a National Pavilion in the Paris World Exposition 1900.

A beautiful reflective album built around the piano as a central element and inspired by the sound of whispering.

Algorithm as material and writing.

The use by artists of objects coming from the collections of museums of art, science, and society.

Issues 31 to 34 of the critical review dedicated to graphic design.

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

The call is clear: Museums must change. Amid an ongoing global pandemic and growing demands for decolonization, racial justice, and economic parity, culture needs new tools for structural transformation. In the first of two special issues focusing on this urgent topic, Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

Retrospective monograph.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Dave McEnzie, Luke Libera Moore, Niki de Saint Phalle, Chao-Chen Yang...

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

A book about art, publishing and collaboration.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.