A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

Monograph / artist's book: a broad selection of Mirjam Thomann's work from 2006 to 2015.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

An alternate temporal manifestation of the themes developped by artist Christodoulos Panayiotou and curator Omar Kholeif at the Cyprus Pavilion at the 56th Venice Biennale, in 2015.

Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations.

Eser is a comprehensive publication on Judith Raum's works, installations and lecture performance texts from 2011 to 2014. It is also a theoretical reader and material collection on the semi-colonial advance of German entrepreneurs and bankers into the Ottoman Empire before World War I in connection with the construction of the Anatolian Railway.

Formal Economy is the first comprehensive survey of Marte Eknæs' practice, presenting her sculptural works, drawings and collages as visual narratives and fictional landscapes.

The first detailed study of the artist's book within the Fluxus movement.

One year in the art world: Art Basel's official annual publication, “Art Basel | Year 45” captures and documents the 2014 shows in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors, and museum directors. Immersive, insightful, and art, art, art.

Wies Smals (de Appel, Amsterdam), Kristine Siegel & Rhea Dall (PRAXES, Berlin), Jean-Max Colard, Eddie Peake & Heather Phillipson, Trisha Baga, Lili Reynaud-Dewar, Helene Appel, Eloise Hawser, Bunny Rogers, Yoan Mudry...

A reader.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

New and historical texts by artists, writers and cultural agents that ballades amongst the themes of seduction, glamour and politics.

Including images and texts around Christian Boltanski's simultaneous site specific projects in Buenos Aires in 2012, this book is conceived as an archive, a memory and a theoretical and critical discussion of the experience.

An unique artist's book based on Paul Sietsema's 16 mm eponymous film, with laser-cut portals and transparent screenlike pages.

Catalogue.

A documentation on the singular projects by four contemporary artists—Michel Aubry, Élisabeth Ballet, Susanne Bürner, and Lani Maestro—developed as part of the Foundation of France “Nouveaux Commanditaires” (new patrons) action to question the industrial history of four regional nature park in France (Lorraine, Monts d'Ardèche, Pilat, and Vercors).

“Ce qui ne sert pas s'oublie” (“What cannot be used is forgotten”) accompanies and extends the reach of the exhibition of the same title. Both deal with the mutating statuses of objects in relation to possible historical narratives, especially those related to colonial past and present and the layers of cultural, spiritual, and identity production that stem from them.

Catalogue.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

First vinyl LP edition by Dutch sound and visual artist Paul Panhuysen since 1986 (sound installation).

Essays about the work of Victor Burgin.

Ten encounters between artists and young audiences between 2011 and 2013.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

First release by Yvan Etienne (Serge Modular, field recordings, hurdy gurdy).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Comprehensive monograph based on the special commission made by Barcelona-based Portuguese artist Carlos Bunga for the Sonae/Serralves Project in 2012.

Ambient art (artist's book).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Twenty-six serigraphs by the Dutch graphic designer.

Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work.

New monograph.

Seven encounters between artists and young audiences in 2010/2011.

Terry Adkins, Kai Althoff, Art After Art, Art Against the Net, Art and Appropriation, Josh Bitelli & Felix Melia, Elaine Cameron-Weir, Paul Chan, Liz Deschenes, João Enxuto & Erica Love, Hallucination Museum, Alex Olson, Laura Owens & Lisa Williamson, A Pedagogy of Invention, Sean Raspet, Cameron Rowland, Ben Schumacher & Jared Madere, A.L. Steiner, Stylometry, Franz Erhard Walther, The Work of Images in the Age of Digital Reproduction, Worldly Worlding, The Artist as Curator.

First monograph.

An anthology that draws on recent French choreographic creation to offer a reflection on the current international state of affairs of contemporary dance, its dialogue with other art forms, dance's historical position, and its perspectives with respect to contemporary issues affecting society at large.

Michel Parmentier's writings and interviews.

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

Other Writing.

A subjective lexicon, proposing keywords for contemporary publishers and book freaks.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.