The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

In the cross-over between sound and architecture.

A new reading of the relationship between art and the "question of style", in a social perspective.

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

Researching the myth.

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

The first comprehensive overview of the work of the Argentine-Japanese duo, which builds a unique bridge between Latin America, Europe, and Japan.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

Comprehensive monograph.

Comprehensive monograph.

A poetic, gestural, visual, and semantic exploration that extends the Canadian multidisciplinary artist's work on language and the body into the pages of the book.

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

An original project by the Italian artist that brings art and science into dialogue by exploring "non-optical images" (the visual processes through which the human brain forms mental images using all the senses except direct sight).

Complete documentation on the exhibition conceived by Michael E. Smith for the underground spaces of Palazzo Bentivoglio in Bologna.

Painting as a space for political resistance, irony, and philosophical reflection (an overview of the pictorial work of Basque artist Juan Pérez Agirregoikoa).

An in-depth look at Carlos Bunga's multifaceted practice through a number of essays and a rich iconography including previously unpublished photos that reveal his working process.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

Comprehensive documentation on the architectural design of the House of One in Berlin, a unique interfaith building housing a synagogue, a church, and a mosque.

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

Centered on the Al Ahsa region, one of the world's oldest and largest oases, Maghras: A Farm for Experimentation (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

This publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

A comprehensive survey of Ahmet Doğu İpek's artistic journey over a decade.

The first collaborative release from Giuseppe Ielasi and Jack Sheen: 14 pieces presenting a delicate balancing between abstraction and immediacy, austerity and abundance, imbued with a distinctive lightness of touch and a subtly psychedelic approach to the stereo field.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

Ayoung Kim, Tom Lloyd, Karimah Ashadu, Photography's Materialities (roundtable and portfolios), Rosemarie Trockel, Amie Siegel...

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

A 5-CD boxed set featuring the collaborative work that the BarDem duo (Vincent Barras & Jacques Demierre) has been carrying out for several years with Swiss and international artists, on the margins of the traditional categories of literature, poetry, performing arts and music.

Ibrahim Mahama by Edna Bonhomme; Okwui Enwezor by Simon Njami; ecoformalism by Harmon Siegel; culture wars of the late 1980s and '90s by Ron Athey, Karen Finley, Andres Serrano, Helen Molesworth & Tina Rivers Ryan...

Monograph / artist's book, including contributions by a variety of writers as well as materials.

An overview and historical, critical, and theoretical perspective on the French artist's work.

The Trial is an extensive publication chronicling the decade-plus-long evolution of one of Rossella Biscotti's seminal works, focusing on the trials of members of the revolutionary left-wing movement Autonomia Operaia in the early 1980s, an emblematic judicial drama of Italy's Years of Lead.

Mungo Thomson (by Jan Tumlir), Yuk Hui (by Daniel Birnbaum), Ali Eyal (by Andrew Berardini), Agnieszka Kurant (by Christy Lange)...

This publication is a dynamic archive, the legacy of The Land Remembers, the Lebanese National Pavilion at the 19th International Architecture Exhibition of La Biennale di Venezia. Harnessing local knowledge, it responds with urgency to the intentional destruction of nature and societies in Lebanon.

The first monograph devoted to the Swiss artist's immersive installations of found objects and sound machines.

A joint exhibition by the Austrian artist and the Belgian artist and writer.

A look back at the approach and programming of the Basel-based modular independent art space, between living, working and exhibition space.

With her debut chapbook, award-winning author and curator Legacy Russell returns to poetry with her GAY POMPEII, a collection of lyric poems that begin at the end of the world.

Issue 1 of Fidback, the film journal edited by the FIDMarseille festival, with a a look back at the 35th edition of the festival, a focus on films that made waves on the global cinema scene in 2024, a carte blanche to Clara Schulmann, and a portrait: of the artist and filmmaker Declan Clarke by Alice Leroy.

A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.