Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

Forensic Architecture; Gisèle Vienne; Arthur Rimbaud in Charleville-Mézières; Artavazd Pelechian...

A wide-ranging collective reflection on the philosophical legacy, current resonances and historical articulation of May '68 and the Prague Spring (contributions by Jacques Rancière, Étienne Balibar, Michael Hauser...).

A series of drawings made in Paris with felt pen in small notebooks. The hours-long work on the drawings, which are all made right on the spot, displaces Giezendanner into meditation and lets him perceive the urban space in different ways.

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

Issues 23 to 26 of the critical review dedicated to graphic design.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

Salmon: A Red Herring questions what colours we expect in our "natural" environment. It asks us to examine how our perception of colour is changing as much as we are changing the planet. Adapted into the eponymous Turner Prize-nominated exhibition at Tate Britain, this book launched an international campaign against salmon farming.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

A collection of contributions from art history, history, literature, gender studies and ethnology to rethink the Enlightenment in Switzerland.

Racism in the arts; the destruction of the National Theatre of Tirana and the collusion between politics and real estate in Albania; literary tourism with Jean Giono; the defence of the public service of culture on the ground; monsters and revolution with Paul B. Preciado; interview with the anthropologist Nastassja Martin; Jean-Charles Hue; Natsuko Uchino...

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Catalogue of the double exhibition devoted to the Pattern & Decoration movement, with numerous previously unpublished archives.

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

Examining how things are sold and exchanged within diverse cultural environments, past and present through a collection of contributions by social anthropologists and historians, this book builds a bridge between social history, cultural anthropology and economics and marks a major step in our understanding of the cultural foundations of economic life and the sociology of culture.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

Sean Baxter, Alessandro Bosetti and Hong-kai Wang, Mark Vernon, Kate Carr, Homei Yanagawa, Malaka Badr...

This July/August in Artforum: Ja'Tovia Gary invites five young Black women artists—Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon—to share her space in the magazine. Plus, artist's projects from Jamal Cyrus, an interview with Cy Gavin, Paul B. Preciado on revolution, Daniel Marcus on Keith Haring's safe sex, reviews from Paris, Madrid, New Delhi, Hong Kong, and more.

This double issue explores new analytical methods to characterize the pop voice in its singularities.

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

An archeology of Swiss experimental film.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

Contemporary dictatorships and tyrannies.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

The republishing, in the form of a palimpsest, of the prefaces published in the various editions of the catalogue of the Damascus National Museum, from 1919 to the end of the last century.

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.