A poetic manifesto against the brutality of all forms of power.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

A film by artist Franck Scurti on Marcel Duchamp's masterpiece replica by Ulf Linde.

A seminal text of Contemporary Mexican poetry, inspired by the Tarahumara and peyote rituals. Included in appendix is the first manifesto of infra-realism, written by Anaya in 1975.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

Proposals for an ecology of diagnosis.

The catalogue of the annual contemporary art festival in Toulouse: 20th edition is placed under the sign of performance.

A series of nostalgic family photographs set in exteriors with protagonists shot from behind.

20 proposals for the intersection of artistic practice and research in academic milieu.

20 proposals for the intersection of artistic practice and research in academic milieu.

Contemporary art and the French Riviera (a territory for experimentation).

A pioneering approach to the history of emotions.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

The first comprehensive overview of the work of the Argentine-Japanese duo, which builds a unique bridge between Latin America, Europe, and Japan.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

A literary adventure resulting from a collaboration spanning several years between an artist experimenting with AI and an academic working on issues of literature, media, and attention.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

Comprehensive monograph.

Comprehensive monograph.

A poetic, gestural, visual, and semantic exploration that extends the Canadian multidisciplinary artist's work on language and the body into the pages of the book.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

A 33-year journey through the Venice Biennale (1993–2026).

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

A reflection on our present, through a series of portraits of contemporary artists.

A historical and thematic book that aims to tell the adventure of the Casablanca Art School, through a polyphony of stories, experiences and actors.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

An essay on the figure of the writer-

An essay by Alexandra Midal on visual learning experiences through images, based on two revolutionary projects by major 20th-century designers: Charles & Ray Eames, Georges Nelson and Alexander Girard, and Ken Isaacs.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.