Trilingual monograph investigating five film-projects by the French-German duo. The publication features a series of essays and a high-quality photographic documentation.

A unique firsthand account of the French underground musical scene since 1968 (with Christian Vander, Richard Pinhas, Daunik Lazro, Albert Marcoeur, Pascal Comelade, Pierre Bastien, Jac Berrocal, Jean-Louis Costes...).

The February issue of Artforum, with features on the art of Zhang Peili, Hanne Darboven, and Heather Phillipson, a conversation between Julia Bryan-Wilson and Miranda July on feminist film project Joanie 4 Jackie, Tim Griffin on HBO's The Young Pope, Bibiana Obler on Barbara Kruger in Washington, a Top Ten from Jun Takahashi, and reviews from New York, Miami, Hamburg, Stockholm, Baku, Mexico City, Johannesburg, and more.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

The museum of contemporary art in all its paradoxical characteristics.

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

Luc Ferrari's writings, most of them previously unpublished.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...

Photographic inventory of the rural landscapes of Switzerland and France, combining original photographs and found pictures customized by the artist. An ethnological and sociological approach which culminates in a poetry of the ordinary.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

A book-DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

This publication is the result of a sound improvisation project by audio artist Alexandre St-Onge. It gathers a collection of hermetic poetry texts and 13 tracks of experimental sounds to download.

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

Survival Research Labs's robotic warfare, contemporary dance in Belgrade, interviews with João Pedro Rodrigues, Éric Hazan, Pierre Bismuth, the industrial music scene in Paris in the 1980s, Matthew B. Crawford, David Geselson, Mélanie Laurent, David de Beyter, Tsirihaka Harrivel & Vimala Pons, Pierre Huyghe at Palais de Tokyo, portfolio by Sophie Kitching & Rebecca Storm…

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

An in-depth manual for staging a private (or public) performance by Istanbul-based artist Cevdet Erek.

An in-depth manual for staging a private (or public) performance by Istanbul-based artist Cevdet Erek.

New Facsimile edition of a brochure published on the occasion of an eponymous exhibition at Centre genevois de gravure contemporaine in 1995.

Radio recordings from 3 GHz to 30 KHz: a record that invites the listener to discover the electromagnetic landscapes that surround us.

An hour-long percussion sextet featuring the instrumentation from Xenakis' Pleïades.

This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.

A concrete symphony (a journey between a public sphere—passing trains, passers-by in the street, a construction site— and the intimate relations that a composer can have with an electronic machine or software).

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

Reference monograph (also available in English).

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

These notebooks gather texts and photographs documenting the creation process at the heart of Jean-Guy Coulange's radiophonic practice.

Istanbul's artistic scene and Erdogan's Purge, Jan Fabre, Thibaud Croisy & Bruno Le Maire, failure and the creative process, Hillel Kogan, Jean-Luc Verna, interviews with El Conde de Torrefiel, Albert Serra, Hélène Marquié, portfolio by Leonard Suriyajaya & Simon Collet...

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

Around the Palais de Tokyo's programme dedicated to urban art, Palais magazine is devoting its latest issue to artists whose work has been developed in the street.

An investigation of the role and function of the rehearsal in artistic production at large.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. This highly documented publication features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

Art magazines as exhibition objects and spaces.

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

Espace(s) #13 inaugurates the new formula of the French Space Agency's review. This issue explores the potential of the archive as a material for new artistic or literary narratives.

A re-reading of Walter Benjamin by François Coadou, suicidal tendencies in Rock'n'roll history, Chris Marker's La Jetée, Genesis P-Orridge & Timothy Leary, Salvage Art Institute, Arnaud Labelle-Rojoux, Crammed Discs Records, interviews with Jean-Luc Verna, Jill Gasparina, Ange Leccia, Carole Douillard & Dora García…

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

Crossing perspectives on living among screens.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.