Special issue featuring an original collection of 24 short literary works by visual artists and writers—in addition to the usual contents.

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

New monograph.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

A kaleidoscopic collection of excerpts on music and instruments.

Dominique Pasqualini addresses his singular thoughts on photography and the impossibility of its exposure.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

A richly-illustrated monograph spanning twenty years of works by architects Dominique Lesbegueris and Christine Raynier. The publication includes an interview with the duo and a collection of poetic texts by Ève Delalysse, Stéphane Nowak Papantoniou, Véronique Bergen, Liliane Giraudon, Fédé Aranburu, Amandine André, Jean-Jacques Viton, Sarah Kérina, and Laura Vazquez.

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

An anti-method of meeting that reaffirms the uncertain outcome of gathering moments.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

What can I know? What should I do? What may I hope? What's for dinner? More than two hundred years ago, on a day that takes quite a peculiar course, Professor Kant is working hard to give an answer to all these questions. Not only the morning papers, but also a slightly perfumed letter get in his way however. As a result, he even forgets to go out on his regular digestive walk—and everything goes off the rails… (an illustrated philosophy book for children).

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A photographic portrait of Kampala's bustling nightlife.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

The aesthetic and functions of the mirror in contemporary art.

New monograph.

First monograph.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

The place of films and moving images in the field of contemporary art.

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Essays about the work of Victor Burgin.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.