Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

In this treatise, Jalal Toufic investigates the arts as the privileged site of thinking and confronts his thoughts with texts taken from the traditional religions and mystics of the past.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

An operative and operational booklet to decode the impoverishment of languages.

Sylvain Chauveau plays reworkings of early music from the Spanish Renaissance Repertoire, with the Chant 1450 Renaissance Ensemble.

A selection of 175 texts by the writer, art critic and teacher at the school of Fine Arts of Nantes, Pierre Giquel, summerizing for the first time nearly 35 years of an intense and profuse literary activity. This voluminous publication is comprised of a folded poster dust jacket with watercolors by Fabrice Hyber.

First French translation of the famous 1966 interview with the American saxophonist by writer and jazz specialist Frank Kofsky.

An electroacoustic psycho-geographical composition made from field recordings collected from 2011 to 2016.

This November Artforum looks at Art and Virtual Reality: Douglas Coupland talks with Daniel Birnbaum about the future of technology and desire and Alyssa K. Loh discusses virtuality and empathy. Plus Cheryl Finley on “Soul of a Nation: Art in the Age of Black Power,” Greil Marcus on Slash: A Punk Magazine from Los Angeles, 1977-80; Jackie Neudorf on Donna Deitch's Desert Hearts, and more.

A fascinating reflection on the reception of butoh dance in France.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

Designed by the founder of Conceptual Art, this elegant and precious artist's book—and exhibition catalogue—serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical as well as personal account of curator Cornelia Lauf.

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

This publication documents a site-specific work by Elisabetta Di Maggio at the Museum Portego of the Querini Stampalia Foundation, in the framework of the Venice Biennale. Ivy plants invade the palace's private rooms and create a relationship with past and present time, placing the viewer inside a visual alienation.

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

Artforum looks at Russia and the Art of Revolution: A century after the Soviet uprising of October 1917, Matthew S. Witkovsky, Devin Fore, and Owen Hatherley look back—and forward—at the fate of radical culture, utopia, and politics; architect David Adjaye talks about design, culture, and society; Ina Blom on Ed Atkins and the science of weather simulation; and more.

This publication presents the goals and objectives of the The School of Missing Studies—a collaborative and experimental platform study on urbanism in transition.

A poetical and political questionnaire focusing on social exclusion and isolation issues in a French ghetto.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.

Publication based on the eponymous film by Etienne Chambaud and Vincent Normand in which the authors develop the concept of the “Decapitated Museum.” The voice-over in the film has been made into a one-edition book, which was rephotographed according to the technique the authors used to make the film. The outcome is a photography book that is as much a text document than an imaginary scene.

Featuring newly conceived works, hand in hand with some older works from the 1980s, this catalogue illustrates Dillemuth's exhibition at the Künstlerhaus Graz, in which he created a new way of presenting his oeuvre, setting up site-specific theatrical scenes.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

An essay that aims to reconstruct another metaphysics, substituting the primacy of life, matter, and consciousness, to that of reason, on the basis of a philosophy of nature (referring to Ravaisson, Tarde, Nietzsche and Bergson) and a renewed cosmology.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

A two-record album of 21 original sound works by artists who exhibited at the Ronald Feldman Gallery in New York—including Eleanor Antin, Joseph Beuys, Chris Burden, Terry Fox, William Burroughs…

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

Artistic practices in New York's alternative art spaces (1969-1985).

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

This publication stems from The Devil's Peak (in beige), an installation created in the Californian desert of Amboy by Maxime Bondu and Bureau A (Leopold Banchini & Daniel Zamarbide). The project deals with how the absence of water conditions life in the desert.

Catalogue of the first European retrospective dedicated to a major figure in Japanese contemporary art. Situations focuses on Suga's entire career, among the prime movers of 1960s group Mono-ha, and documenting over twenty of his installations, dating from 1969 to the present.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.