Salmon: A Red Herring questions what colours we expect in our "natural" environment. It asks us to examine how our perception of colour is changing as much as we are changing the planet. Adapted into the eponymous Turner Prize-nominated exhibition at Tate Britain, this book launched an international campaign against salmon farming.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Examining how things are sold and exchanged within diverse cultural environments, past and present through a collection of contributions by social anthropologists and historians, this book builds a bridge between social history, cultural anthropology and economics and marks a major step in our understanding of the cultural foundations of economic life and the sociology of culture.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

This July/August in Artforum: Ja'Tovia Gary invites five young Black women artists—Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon—to share her space in the magazine. Plus, artist's projects from Jamal Cyrus, an interview with Cy Gavin, Paul B. Preciado on revolution, Daniel Marcus on Keith Haring's safe sex, reviews from Paris, Madrid, New Delhi, Hong Kong, and more.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

An archeology of Swiss experimental film.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

The second issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, is dedicated is devoted to the concept of resonances, with contributions by Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, and Christian Zanési.

François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers (special issue of the critical review dedicated to graphic design).

Issues 19 to 21 of the critical review dedicated to graphic design.

New monograph.

A return on Mark Geffriaud's film installation (artist's book).

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

First monograph.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

The extension and finalization of a commission given to the artist Eulàlia Valldosera by the members of the association Les amis de la maison de la Mémoire du Royans, a community museum that they founded in Rochechinard (Isère, France) in 1979.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

This March in Artforum Chloe Wyma on the art of cover artist Agnes Pelton, J. Hoberman on Corneliu Porumboiu's The Whistlers, Hannah Black on Kandis Williams, plus Alex Jovanovic introduces an artist portfolio from Chason Matthams, James Meyer on Hans Haacke and exhibition reviews from Paris, Stockholm, Doha, Moscow, and more. 

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

A conversation about Ergonomic Futures, Tyler Coburn's furniture for humans to come.

An essay on art exhibition.

An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

The 1Shanthiroad Cookbook brings together a collection of recipes from the community kitchen of 1Shanthiroad Studio/Gallery, compiled and edited by the space's founding director, Suresh Jayaram.

This autobiographical novel describes the author's esoteric quest and involvement with a shaman in the hope of saving his mother, diagnosed with terminal cancer.

A talk between three artists around Julia Scher's work.