An essay on dancing corporality as a complex system of interacting elements.

A glimpse into the genesis of Harun Farocki's film IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR (1988), which evolved from the unrealized project "On the History of Labor" between 1985 and 1988.

Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani.

A 4-hour work recorded at Steamroom (composer's studio) between 2017 and 2018: a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro (limited marbled vinyl edition).

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro.

The definitive edition of Loren Connors' texts.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Anniversary special issue: a return on 25 years of reviews.

An overview of study programs teaching socially engaged art.

This new monograph brings together Nicolas Floc'h's artistic production of the last twelve years.

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.

A sound dialogue between eRikM and Anthony Pateras.

A series of off-the-cuff photographs demonstrating the poetic experience of air travel (artist's book).

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Bettina Funcke on how appropriation became cultural appropriation; Mary Flanagan on the history of Virtual Reality art since the cave paintings; Pablo Baler on Bio-Politics, Bio-Tech, Bio-Art and Bio-Fiction; James Gill on the death of subculture in the 21st century; image spreads by artist David Mramor and microdosing pioneer Paul Austin, plus much more.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

The review of the Museum of Contemporary Arts in Grand-Hornu (MAC's) inaugurates its new formula with the theme of the museum and its criticism by artists. This issue showcases a selection of contemporary and international artistic projects reflecting on the concept of museum. With artists Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan, and Fred Wilson.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

Jon Rafman by Bret Schneider, Art and the machine by Anthony Huberman, Carolee Schneemann discusses 1964 Meat Joy with Vincent Honoré, Arnold Rüdlinger by Lorenzo Benedetti, a commissioned work by Guan Xiao, interviews with Ian Cheng, Athena Papadopoulos, Cayetano Ferrer, Emmanuelle Lainé, Davide Balula by Daniel S. Palmer, Matthew Linde's Centre for Style, Pilvi Takala…

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

A shamanic journey in Tazartès's universe.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Special feature on Ecology, Nicolás Uriburu, interview with Edith Brunette, Kochi-Muziris Biennal, Ariane De Blois on the sculpted body, exhibitions and books reviews…

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Artist's book.

A series of essays and close readings of Steyerl's films from the past ten years.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

A real, potential and fictitious museum by Michel Giroud.

Issue dedicated to John Baldessari.

A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

2nd issue of the experimental music annual review, around the question of experimentation in music.

First monograph on Stéphanie Cherpin's work, with two essays, an interview, and a complete catalogue of her sculptures.

2nd issue of the experimental music annual review, around the question of experimentation in music.

An extension on paper of the activities of Darse, the art space in Geneva.

First monograph.

Various critical approaches under the shape of questioning and the appropriation by artists of the model of the company.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

A pioneering and masterly study of the history of art markets in Italy (covering the fields of painting and scultpure, but also architecture, applied arts and performing arts), which demonstrates the possibility of an economic history of art linking social or political mechanisms and symbolic or patrimonial issues.