Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

Julio Le Parc, “New impressions of Raymond Roussel”, François Curlet, Daniel Dewar & Grégory Gicquel, Joachim Koester, Evariste Richer...

Benjamin Sabatier shells over the alphabet the founding principles of his work.

Benjamin Sabatier shells over the alphabet the founding principles of his work. This limited edition is accompanied by a can compression, a unique signed piece.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Artist's book: Joël Hubaut's ABC (“a compressed, unprecise mini ABC of the art of living for the young generations in art schools in particular and for everyone else in general”).

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

The 5th issue of the art history magazine published by the Mamco, Geneva, is entirely dedicated to Philippe Thomas.

New monograph / artist's book.

Five essays.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

1st issue of the art magazine published by M19, gathering works, articles, documents, and lists, featururing 42 artists, curators, art historians, critics, choreographers, musicians, plus one chef.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

The resurgence of Dada in the U.S. (a genealogy of American post-war experimental art).

An interview with Jean-Christophe Ammann.

This second issue brings together contributions reflecting on the political commitment and literary work of Jean-Marc Rouillan, and shedding light on three of Rouillan's most important influences today: philosophers Daniel Bensaïd and Henri Lefebvre, and activist Pierre Goldman (with contributions by Véronique Bergen, Charles Pennequin, Julien Blaine, Rada Ivekovic, Pierre Linguanotto, Laurence Denimal, Stéphane Nowak Papantoniou…).

Caroline Bachmann and Stefan Banz have designed a photographic and pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by “making emotions visible”.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

Writings and discussions (new revised edition), with two texts by Thierry Kuntzel and Christian Besson.

Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

Second issue of the art history magazine published by the Mamco, Geneva.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

A panorama of Ben's conflicting ideas and various activities since 1959.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).

Towards the art world's inner contradictions between symbolic meaning and monetary value.

Nicolas Bourriaud's most recent essay: a radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

First publication in French on a major figure of British Pop Art, this essay analyses notably the questioning of the contemporary appearances in Richard Hamilton's works.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

Monograph (available in English edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces (also available in bilingual English / French edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces.

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

An innovative analysis of Dalí's work which focuses on the cultural History during the 1920's, showing that the Surrealist revolution went hand in hand with radical changes in society.

“Duchamp, Man Ray, Picabia”, Xavier Veilhan, Candice Breitz, Karen Kilimnik, Sturtevant, Gerhard Richter, 5e Biennale de Berlin, Wade Guyton / Kelley Walker, Jacques Garcia / John Armleder, Simon Starling, Louise Bourgeois, Christopher Williams, Willem de Rooij / Jeoren de Rijke... (5 texts in English).

First issue of the art history magazine published by the Mamco, Geneva.

A sharp summary of contemporary art since Marcel Duchamp.

A documentary on three exhibitions, a filmed interview with the artist and an original video work.

An unpublished text by Raymond Roussel, accompanied with an essay by Jacques Sivan.