An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

A previously unpublished collection of 60 ink pictograms by the early progenitor of the artist's book genre (new edition).

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

An interdisciplinary perspective upon Italian visual culture through the words of 37 artists active from 2000 to today.

A poetic investigation on desire, love and masculinity in the form of a constellation of texts, drawings and photographs.

The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A musical work born of residencies for two musicians and a dancer in three natural parks in France, tuned to these three geographies as open-air studios, in dialogue with the mineral, plant and animal environment.

A sound piece by choreographer and performer Mette Edvardsen in collaboration with her daughter, Iben, based on the performance of the same name.

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.

Artist, photographer and filmmaker Aradhana Seth's photographic archive of painted signs in India: a visual itinerary through the historical-economic changes of Indian society over the years.

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

The protocol and the action of the New Patrons: the radical transformation of the conditions of emergence and appropriation of the art as political act.

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

Artist's book.

Three series of works that the Californian artist of Japanese origin has been producing since the 1970s, plus a text, in four booklets.

Artist's book.

New monograph.

New monograph.

This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

This artist's book provides a comprehensive insight into the artistic cosmos of Klodin Erb, one of the most renowned contemporary artists in Switzerland.

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

Igor Terentiev's biography of Ilya Zdanevich published in 1919 in Tbilisi.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

A journey through the work of Daniel Steegmann Mangrané over 25 years (artist's book).

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.