First monograph (works 1999-2004).

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Catalogue of the 13th RIAP in Quebec.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

New drawings, designs and an essay by American graphic artist and filmmaker.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Mike Kelley's major interviews and critical essays.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

Catalogue.

An album of the “best images” gathered from the Visual Communication Department of ECAL, the dynamic art institute of Lausanne.

A source book of graphic design by one of the leading European art schools.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists. The limited edition is accompanied by an unique artwork, made on its case.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists.

An exploration of the body in contemporary culture (artist's book / collection of texts).

Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.

A collection of artist's writings about literature, semantics, dreams, poetry, photography, women...

A collection of artist's writings about literature, semantics, dreams, poetry, photography... (limited edition accompanied by a hand-enhanced photograph).

Art and glamour as spaces for transformation of the self.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

An urban journey.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

Reference monograph.

First monograph.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

A video triptych.

German artist's "word-images" (early works).

An imaginary odyssey through Réunion Island and Antarctica, inspired by the life of explorer Ernest Shackleton.

Honegger' eclectic writings since 50 years.

Monograph.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

This first monograph (both a study and an essay) highlights the diversity and span of Adrian Schiess' work.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

Fully illustrated monograph, with three essays and a chronology.

Documentation of the O-ist religion created by Shaw.

The most comprehensive monograph on Oehlen's paintings.

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

Artist's book (photographies).

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

A retrospective catalogue of the exhibitions organized by the FRAC Champagne-Ardenne in Reims, as well as an exhaustive presentation of the collection with reproductions, index, comments and analyses.

Inside the artist's apartment and studio.