New monograph.

A photo report in an photo lab (artist's book).

A hybrid proposal developed by artist and curator Lorenzo Sandoval and archaeologist Tono Vizcaíno, situated between the creation of an archive and an artistic project, whose objective is to offer a necessarily partial reading of Valencian industrial heritage based on the sound, the intangible and social movements.

Aurel Schmidt's drawings.

Reference monograph.

Reference monograph (also available in English edition).

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

A volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

An indepth survey to June Crespo's artistic practice.

The fourth volume of Rab-Rab Press' bie bao series presents Ilya Zdanevich's talk The New Schools in Russian Poetry, given in 1921 in Paris. In this talk, Zdanevich introduced zaum to the French Dadaists. He declared that practical and poetic languages are two poles of existence, two opposite ways of life.

A live, raw, collective sound by Maurice Louca & his band Elephantine.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

Wesley Brown narrates the day when trumpeter Miles Davis was assaulted by the New York Police Department. A dramatic and humorous story, told from multiple perspectives including that of Frances Taylor, Davis's wife, and the musicians in Davis's bands: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis.

Percussion by Paris-based Japanese improviser Seijiro Murayama and field recordings by sound artist Éric La Casa, "small, simple gestures" on the threshold of the musical, a low-key presence, listening to inhabited spaces.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

Remedios Varo, Fereydoun Ave, Christopher Kulendran Thomas, Sam Gilliam...

The first volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The ten volumes of the anthology of exhibitions at the Frac Franche-Comté between 2013 and 2022, packaged in a box set.

The second volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fourth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fifth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The sixth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The eighth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The ninth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The tenth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

Looking back at a decade of activity of the project space Kinderhook & Caracas, this compendium showcases the work of the 83 Berlin-based artists whose practices have crossed paths through the small room on Kreuzbergstraße and several off-site projects around the city.

Research and creations by a collective of academics and artists on perceptions and practices related to the Romanche river in Isère (France), in a context of massive landscape transformation.

A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

This publication is based on an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes—the Russian Empire, the USSR, and contemporary Russia—that have controlled areas across Eastern Europe and Central and North Asia.

A comprehensive overview of the vast production of monuments in socialist Yugoslavia (1945–91) dedicated to the antifascist People's Liberation Struggle in the Second World War and the socialist revolution.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.

Elaborated from an eponymous exhibition held at the Latvian National Museum of Art in 2020, Family examines the visual, autobiographical, and theoretical strands that inform Ēriks Apaļais' practice, featuring texts on his work by the curator Katerina Gregos and Latvian art critic Santa Hirša. 

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

First monograph.

A collection of quotations from Thelonious Monk, organized as an alphabet book (new revised and augmented edition). More than a hundred entries based on the testimonies of musicians (Steve Lacy, Sahib Shihab, Henri Renaud) and journalists (Leonard Feather, Ira Gitler, Val Wilmer…).

Bom Dia's new Agenda offers a different font designed by Studio Manuel Raeder for each month. It provides you with a fun way for new beginnings and to take notes and make sketches. This years Agenda can function on a daily basis as a notebook, or be used for hanging as a wall calendar.

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only / Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

A realisation of a 20 years-long conversation, with results that articulate Toop's long held sound vision (here executed with his own voice, electric and lapsteel guitars, whistling, percussion, flutes and electronics) around English's stunning recordings of various insects, birds and exotic animals.