First major publication on Ed Atkins' work.

The first catalogue raisonné of editions and multiples by Matt Mullican.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

Artist's book.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

A collection of 80 images, selected by eight artists and eight curators, dedicated to the identification and construction of a personal and collective imaginary, in tribute to Aby Warburg's lecture on Serpent Ritual.

An historical and theoretical investigation into art teaching and transmission.

Issue dedicated to Marguerite Duras.

An anthology: selected criticism, essays, interviews, and curatorial projects, since 1986-2012.

Questioning neoliberalism: a collection of Jeff Derksen's writings on art, architecture, and globalism.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

An anthology on new musical forms in the 20th century.

A collection of previously unpublished or revised texts by Jean-Claude Lebensztejn (1992-2012).

An epistemology of performance (also available in English edition).

First translation into French of a series of fundamental texts by Kandinsky, published in Russia in the early twentieth century.

Retrospective monograph of the work both conceptual and sensitive of Dadamaino (1930-2004), at the crossroads of major European postwar avant-garde movements.

Actions and discussions around personal skills in art and other disciplines, physical and film (performances, video), sports and burlesque.

A reflection on the Russian avant-garde's artistic project in the early twentieth century, and the problem of their paradoxical relationship to history.

Social and political dimension of the emergence of a culture of the image carried by the amateur practice of photography in Germany at the dawn of the twentieth century.

Function of visual arts in France during the First World War.

A visual and textual journey through the participatory processes that inform the work of the Warsaw-based artist.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

The collaborative construction and deconstruction process of the tower designed by Tadashi Kawamata for the Parc de la Villette in Paris.

Other Writing.

First publication ever to focus exclusively on Marcel Duchamp's Pharmacie, the first rectified readymade in art history.

David Jablonowski's recent and early works.

This script by Peter Greenaway follows Russian director Eisenstein to Guanajuato, Mexico, where he worked for ten days on Que Viva Mexico. Ten days that shook Eisenstein face to face with sex and death which changed the man and the filmmaker.

A double portrait of Libya.

A range of international artists engaged in investigating the shifting, viral nature of capitalism.

Zine/artists' book.

First monograph.

A poetic manifesto against the brutality of all forms of power.

A dystopian tale describing a guerilla between fascist militias and utopist groups.

An open and plural device capable of recounting the different identities that characterize the real patrimony of artistic and cultural contributions in the Little Constellation network.

The catalogue of the artists' residency curated by (SIC) at the 55th Venice Biennale, with about 15 Belgian visual and video artists and authors.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

A curatorial and editorial project which explores the propensity for artists to engage with knowledge from fields beyond their own area of specialism.

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

A reflection on the notion of transmission (but also on the issues involved in an exhibition catalogue).

Oskar Schlemmer's letters and diaries.

A reflection on the problematic of temporality, from an analysis of On Kawara's practice, also revealing certain important aspects of Cesarco's working methods.

First monograph in a Western language on the subversive and radical Japanese avant-garde group Zero Jigen.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

A series of 365 cartoon drawings, made daily in 2012, exploring philosophical thoughts concerning art, being, knowledge, logic and skateboarding.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

A collaboration between Toilet Paper and Kenzo (limited edition of 1500 hand numbered copies).

“Re-Thinking Sculpture: Part Two” with two essays by Maxime Coulombe and Marie-Hélène Leblanc, and two interviews with James Nizam and Guillaume La Brie. Also in this issue: “Soundscape as Material” by Josianne Poirier “Monoceros: of the Earth, for the Stars” by RM Vaughan, interview with Derya Akay…

Espace begins a new cycle with André-Louis Paré as the new magazine editor. This issue introduces a revamped version of the magazine, including a special feature “Re-Thinking Sculpture,” Jeff Thomas, Pierre Huyghe and Philippe Parreno, exhibitions and books' reviews…

The novel by Jean-Louis Costes in a deluxe edition, illustrated by Anne Van der Linden—the crazy epic of Costes' grandfather at the beginning of the 20th century: a Cossack in Russia, a legionnaire in Morocco, a convict in Guyana and a collaborator in 1940...

An introduction to robotic art in twenty installations and performances. The catalogue includes a brief history of the artist and the robot's relationship by Austrian curator Gottfried Hattinger.