The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

In a singular and engaging essay, playing with words and jargon, Madeleine Aktypi examines the new ways of working, and in particular the work we do equipped with the "intellectual technologies" at stake in the so-called new economy.

The first major monograph on Piffaretti: a journey through contemporary painting.

In the October issue of Artforum: a feature on cover artist Lillian Schwartz, a portfolio by Carmen Herrera, Homi K. Bahba on William Kentridge, Chris Kraus on Julie Becker and newly published writings by Donald Judd. Plus, Nikolas Gambaroff's Top Ten and exhibition reviews from New York, Brescia, Dublin, Beirut, Sydney, and more.

Jon Rafman by Bret Schneider, Art and the machine by Anthony Huberman, Carolee Schneemann discusses 1964 Meat Joy with Vincent Honoré, Arnold Rüdlinger by Lorenzo Benedetti, a commissioned work by Guan Xiao, interviews with Ian Cheng, Athena Papadopoulos, Cayetano Ferrer, Emmanuelle Lainé, Davide Balula by Daniel S. Palmer, Matthew Linde's Centre for Style, Pilvi Takala…

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

This issue surveys the second edition of the Dirty Ear Forum at Bergen Academy of Art and Design in Norway, centered around the sound as the basis for a new discursive paradigm.

Espace(s) #13 inaugurates the new formula of the French Space Agency's review. This issue explores the potential of the archive as a material for new artistic or literary narratives.

Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo Rondinone, Diana Thater, Christian Rosa, Matali Crasset, Dyvik Kahlen Architects, Melike Kara, Roberto Cuoghi, Rachel Harrison, Kate Burkhart, Patrick Berger & Jacques Anziutti, Isa Genzken by Tobias Madison, Vanessa Place…

Samson Young; essays by Hendrik Folkerts, Michael Taussig, Benjamin Thorel, and Tim Griffin; Rayyane Tabet in conversation with Haegue Yang; Laura McLean-Ferris on empathy and the confessional; round-table on materialist history of exhibitions; Kishio Suga by Stuart Munro; Andrew Berardini on flowers and art; artificial creativity by John Menick; Lawrence Lek with Cécile B. Evans; Kasper Bosmans; and more.

A re-reading of Walter Benjamin by François Coadou, suicidal tendencies in Rock'n'roll history, Chris Marker's La Jetée, Genesis P-Orridge & Timothy Leary, Salvage Art Institute, Arnaud Labelle-Rojoux, Crammed Discs Records, interviews with Jean-Luc Verna, Jill Gasparina, Ange Leccia, Carole Douillard & Dora García…

Noémie Sauve, interviews with Ellen Fullman and Anne Dreyfus, “Reflexio” Section with Philip Best and Jedediah Sklower, record labels from Quebec: Ambiances Magnétiques, Collection QB and Kohlenstoff Records, Lionel Malric's new project Jiéqì, an essay by Kasper Toeplitz, music reviews…

Robert Suermondt / Denis Pondruel / SAM (Myung-Ok Han, Oan Kim, Peter Kim) / Très Traits (Silvia Bächli, Isabelle Cornaro, Adrian Ghenie, Andreas Gursky, Eugène Leroy, Roy Lichtenstein, Christopher Wool).

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

This issue traces the path of digital creation, from 90s Net Art to today's Post-Internet artists.

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.

A collection of stories and of theoretical texts focusing on the modalities of existence of artworks, starting with a collection of items that used to be works of art.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

Kerry James Marshall, Jean-Luc Moulène, Dora Budor, Samson Young, Dean Blunt, Matthew Lutz-Kinoy and Tobias Madison's hommage to Shūji Terayama, Rodolfo Aricò, Emily Segal's notes on the color Magenta, exhibitions reviews…

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

An overview of Camille Laurelli's humoristic and provocative work in all its diversity: photographs, pen and felt pen drawings, prints, screenshots, commissioned texts by her mother or a fictional art critic, viral videos, ready-made, website comments, found objects…

500 random notes collected by the artist and inspired by discussions, films and books.

A contemporary epic poem gathering quotes, film clips, titles, slogans, and a variety of images and sentences collected here and there…

Diary published to celebrate the 5th anniversary of the Summerlake Summer School initiated in 2011 by ESAAA – École Supérieure d'Art de l'Agglomération d'Annecy.

A set of charades invented by Alain Séchas and illustrated with original drawings.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

This artist's book gives a photographic account of the Creech Air Force Base—a Drone Base set in Indian Springs, Nevada, which carries out military actions in the Middle East. Picture alteration plunges the viewer into an eerie, dreamlike narrative recalling the universe of J. G. Ballard.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

T. J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

Richly illustrated publication recounting the life of French sculptor Étienne Hajdu.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

Artist's books and book history (new edition).