A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

This volume presents the results of the Resò International Art Exchange program which seeks to comprehend the role and influence of evolving geography and residency on artistic practice.

The first monograph detailing the work of Belgian artist Leon Vranken, this book presents the most significant and complex projects of a practice now spanning over fifteen years, and is accompanied by three essays that address the many facets of his meticulously constructed works.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collaboration between visual artist Myriam Mechita and musician Leonard de Leonard.

Mousse 51 is a photo issue dedicated to exhibitions from 1985 to 1995, the last ten years or so before exhibitions went online, and possibly, before the exhibition view became a requisite genre.

Cheerleading & The Rite of Spring, filmmaker Virgil Vernier, special segment on Mauritania, Tuareg bluesman Mdou Moctar, the self-managed cultural center L'Usine in Geneva, the occupancy of Vivat theater in Armentières, interviews with Franck Vigroux and Eszter Salamon, a tribute to Alban Denuit, war, God, and the act of writing...

The many representations of the Self and the Other in Africa, the Indian Ocean, Asia and Europe, through a selection of artists' portraits and self-portraits (exhibition catalogue based on Frac Reunion's collection).

Artist's book.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

This issue brings together four articles (by Michel Antony, Loïc Foulon, Gilles Gourbin, Jean-Claude Sosnowski), two projects (by Michel Cordillot and Patrick Samzun), and a great number of reading notes which demonstrate the significant vitality of the research on Fourier, Fourierism, and utopia.

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

A limited edition publication of 1000 copies, with Toilet Paper watch included!

If France is a land of immigration, what about its variété genre? This issue of Volume! aims at tracing the French paths of artists of foreign origin—those who integrated the legacy of chanson française, and those who left a mark on their community by singing exile. As a protean form of expression, variété is an ideal object to observe the ways in which immigrant and foreign identities have been moulded in post-1945 popular music.

A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.

New monograph.

First monograph.

An investigation into the enigma of the first abstract painting by Kandinsky.

Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

An account of Lutyens' long-term Hypnotic Show at Documenta 13 in 2012.

Monograph / catalogue dedicated to the work of kinetic artist and co-founder of Gruppo T Grazia Varisco.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

A disturbing view of the current state of affairs of the culture in which we live (catalogue).

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

In Lifestyles Andreas Sell combines a diary with photographic documentation, pictures of sculptures and drawings from 2010 to 2015. These excerpts reflect his nomadic-like life, the clearance of his parents' household and the enterprise of building a holiday house.

The influence of cartoon on Duchamp's work.

First monograph.

A never-before-published selection of Paul-Armand Gette's lectures given between 1972 and 2015.

Thomas Müllenbach's series Halboriginale (“Semi-originals”), which he worked on from 2005-2013, constitutes an artistic appropriation of art-related documentation found in his mailbox over the years. Each book cover is unique, individually designed by the artist.

Spells is the first collection of Irena Haiduk's writing, gathering her texts and limited-edition publications since 2007.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

This reader brings together the first 8 issues of Postdocument, the magazine on exhibition photography.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

A travel notebook covering the artist's stay in Kerguelen Islands, Indian Ocean.

This richly illustrated edition presents the ten-year performance career of Bergen visual artist Agnes Nedregård, looking at her practice from a diversity of perspectives and media.

Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

A documentation of the art space located in the center of Paris and programmed by Lionel Bovier & Clément Dirié, in relation with the editorial activities of Anna Sanders Films, bdv, Les presses du réel and JRP|Ringier.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

A textual and visual account of Schaerf's FM-Scenario, an inter-media project using the Internet as a production site for generating content for further media. The core of this project is a fictitious radio station, moderated by a computer program meant to guaranty his listener full freedom of speech.

Greetings from Auschwitz is a book based on an unusual collection put together over several years by Polish artist and curator Paweł Szypulski. It shows postcards sent by tourists who visited the former Nazi death camp Auschwitz-Birkenau. The oldest postcard dates from 1947—only two years after the liberation of the camp.

Art & sex special issue.

Publication based on the eponymous series of works (“The Catalan painting lesson”, a devious and ironic presentation of traditional standards of academic painting), with an interview and commissioned essays by Brigitte Léal and Pierre Restany.