The big book of the LAC (Lieu d'Art Contemporain), the first private cultural center of the Reunion Island and an essential artistic place in the Indian Ocean.

Since its inception, Spike Art Quarterly stands for independent, critical reporting on the arts, and provides the current cultural debates with emerging artists and leading writers. Thisissue looks for political alternatives and resistance into the art world, and includes discussions between Claire Fontaine's Fulvia Carnevale, Rory Rowan, Constant Dullaart & Toke Lykkeberg, portraits of Tobias Madison, Barbara Kruger and Omer Fast, an interview with Armen Avanessian, Liam Gillick on the British documentary filmmaker Adam Curtis, Chus Martínez on the role of art in generating new cultural forms...

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

A collective publication on Jean Genet and the arts.

This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

Fifty verses by New-York musician Moondog.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

Life on the inside is a limited edition of an audio companion to French sculptor Pierre Besson's exhibition at Le Carré in 2014—an excellent addition to the David Toop discography of any wide-ranging ambient fan.

This collective work aims to demonstrate the relevance of today's popular music in contemporary political action through eight international case studies.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

Japanese fashion designer Issey Miyake, Marina Pinsky's sculpted landscapes, Diller + Scofidio, Emilio Prini, Charles Harlan, Kathe Burkhart's “Liz Taylor Series”, the “networked exhibitions”...

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

An iconographic and analytic portrait of artist Pascale Weber's singular practice.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.

A collection of interviews with artists and curators.

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Following on from the duo's continual playful and dystopic depiction of the human condition, Fine Arts brings together the collection of over ninety watercolors inspired by images found on the Internet.

Part document, part photographic album, this artists' book by Jos de Gruyter and Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in the historical province of Pomerania.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

Thirty-seven texts by Tom Burr.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination? (an illustrated philosophy book for children).

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

First volume of a hors-series' collection focusing on the theory and practice of republishing and archiving.

Featuring: Jeremy Rifkin, Sabine Rabourdin, Mounir Fatmi, Tidiane N'diaye, Arthur H & Loulou Picasso, Messieurs Delmotte, Tobie Nathan, Jean-Paul Curnier, Anaïs Nony, N.-.D.-des-Landes, Zapata an the state of Chiapas, Papuan people, original comics from Camille Lavaud, Martes Bathori, Philippe Lardy...

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Dector & Dupuy's artistic research focuses on the city as a space for improvisation and vanishing lines. This retrospective monograph listed in alphabetical order comes with an additional publication—the first issue of the duo's periodic SONG.

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

Issue 31 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Christina Iglesias, Shreyas Karle, Peter Buggenhout, Nikolaus Gansterer, Diego Tonus, Olafur Eliasson, Araya Rasdjarmrearnsook, and Ben Kinmont.

An artist's book on worldwide monetary iconography.

On Productive Shame, Reconciliation, and Agency prompts a unique crossdisciplinary inquiry into the productive potential of the affect of shame.

Art education issue.

The Portsmouth Sinfonia, Jean-Marie Massou, thelast chapter of the history of musical destructions by Matthieu Saladin, Le Splendide Isolement De L'électronique by Kasper T. Toeplitz...

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

An introduction to the work of a pioneer in media, cinema and sport criticism in Japan, whose thinking deeply marked the counter-culture movements of the 60's.

First monograph.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.