New monograph.

Ieva Misevičiūtė, prosthetics and sculpture, Anne Imhof, native North America, outsider aesthetics, New Scenario, a special section on artists curating exhibitions, Ronald Jones, Gary Indiana, Willa Nasatir, Ragna Bley, Noah Barker, Isiah Medina, the year 1972, relational ontologies, Geoffrey Farmer and Dora García, the emergence of the “Supergroup,” Cecilia Bengolea and François Chaignaud, radical domesticity: Morag Keil and Georgie Nettell, an essay on dress-up…

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.

Interviews with Steve Lacy, Guillaume Belhomme, Zëro and Jérôme Poret, a new section dedicated to sound arts studies, the practice of phonography, Henry Flynt, Steve Dalachinsky: a portrait…

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

A manual for public art projects in Zurich.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

A kaleidoscopic collection of excerpts on music and instruments.

Dominique Pasqualini addresses his singular thoughts on photography and the impossibility of its exposure.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

Ten years of ceramic work by an important figure among post-war artists.

Nik Emch and Laurent Goei teamed up to form Minimetal back in 1994 and have been making sound-performances ever since. The publication contains 13 hours of their music, videos and 307 photographs—a collection gathered together in this photobook.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

A deconstructed overview offering the widest selection of Jodice's works ever presented: more than twenty years of eclectic art—alternating between photography, videos and installations.

The birth and life of video art.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

First monograph.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

A journey through the visual universe of Fabian Marti, whose mystical photograms celebrate the alteration of consciousness through substances and shapes.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

Documenting a video installation addressing the consequences of historical sea travel.

A sequel to Texte, Texte 2 is another pocket-size artist's book presenting a mix bag from Bischof's exuberant collection of headlines, slogans, jokes, junk mail, lyrics, dialogues from movie scenes, aphorisms and a whole lot more—a present-day selection and yet a subjective quintessence of the textual archive he has amassed over the years.

This catalogue documents the eponymous double exhibition examining the ambivalent notions of transparency and opacity in the globalized world and their reflection in the work of contemporary artists.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

A notebook illustrated with photographs documenting an installation project inspired by relationships built by the artist with the local people from French region the Camargue between July 2013 and December 2015.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

An interactive catalogue in the form of a map with replicas of the works exhibited by the artist at Turin's Palazzo Madama.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.