This publication collects black and white photographs taken at apartment viewings in Berlin, London and Zürich in 2015. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces.

French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

This publication offers new insights into the broad and differentiated spectrum of functions images could assume in political contexts in those areas dominated by the Portuguese in early modern times. How were objects and artifacts staged and handled to generate new layers of meaning and visualize political ideas and concepts? And what were the respective reasons, means, and effects of the visualization of Portuguese power and politics?

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

First monograph by New York-based Thai artist Korakrit Arunanondchai, this publication is the first extensive presentation of the artist's video trilogy Painting with History, which ambitiously addresses a digital native's relationship with art history, spirituality, globalization, technology and self-promotion.

Music performance by Joe Jones's Solar orchestra recorded at a Erik Andersch's Garden party in 1983. This edition includes the reissue of a rare photographic book documenting the event, as well as a poster and a postcard.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

A compilation of restaurants receipts collected between Rome and Berlin on which the British conceptual artist reproduced images of works by other artists (Luciano Fabro, Donald Judd, Andy Warhol, Jenny Holzer, André Cadere, Maurizio Cattelan…). Far from being innocent, this appropriationist gesture reflects on the art world economics while displaying a panorama of art history, stretching from the 1960s to the present day.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

First volume of a special issue devoted to the rediscovery of Charles Fourier's oeuvre by the Surrealists. This volume focuses on the pioneer works of philosopher Simone Debout, including early and recent works, and an unpublished correspondence with André Breton. The issue also features an introduction by Florent Perrier & Gérard Roche, and texts and essays by Charles Fourier, Philippe Audoin, André Breton, Michel Butor, Roger Garaudy, Annie Le Brun, Robert Pagès, Octavio Paz, Raymond Queneau and Alejandra Riera.

This issue explores the interfaces between clubs, clubbing culture and creative communities.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

The new novel by Keren Cytter: an incomplete guide for life.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

Part fact, part fiction, this collaborative artist's novel is set in the curious town of Kalimpong, India, where past meets present in a multi-layered tale of espionage and the esoteric.

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

Project monograph by the Serbian artist revolving around a precious edition of Marcel Proust's collected works translated by Croatian poet Tin Ujević.

New collection of essays by Boris Groys in which the philosopher discusses the works and artists that influenced his thinking, from Paweł Althamer to Andy Warhol.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

Monographic publication on Ukrainian-born artist Anastasiya Yarovenko, the joint recipient of the 2015 Kunsthalle Wien Prize, whose work is concerned with the body's relationship to societal structures, behaviors, and space.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

An analysis of the posthumous interpretations of Brancusi's life and work, and of the political use of the Romanian sculptor as a nationalist figure.

A presentation of Pierre Conté's notation system and research on dance and movement.

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Monographic study on the work of artist Lawrence Abu Hamdan on the perception of language, sound, and listening.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

This publication brings forward the continuous commitment of Lafayette Fondation towards artistic and interdisciplinary production, on the eve of its forthcoming opening in Paris.

This publication brings forward the continuous commitment of Lafayette Fondation towards artistic and interdisciplinary production, on the eve of its forthcoming opening in Paris.

A special section on Artists on Politics featuring Zoe Leonard, Dread Scott, and Wolfgang Tillmans, the architecture of Donald Trump, Johanna Fateman on Paul Verhoeven's new film Elle, a Top Ten from DJ collective Discwoman, and Joseph Gringley's portfolio “Soundscaping.” Plus, reviews from Tallinn, Washington DC, Munich, Sharjah, Paris, and more.

This narrative looks back at the creation of a sculpture by Alberto Giacometti inspired by artist and model Isabel Nicholas. Featuring four photographs by Eli Lotar.

These notebooks gather texts and photographs documenting the creation process at the heart of Jean-Guy Coulange's radiophonic practice.

Istanbul's artistic scene and Erdogan's Purge, Jan Fabre, Thibaud Croisy & Bruno Le Maire, failure and the creative process, Hillel Kogan, Jean-Luc Verna, interviews with El Conde de Torrefiel, Albert Serra, Hélène Marquié, portfolio by Leonard Suriyajaya & Simon Collet...

Monographic publication on Hungarian artist Karina Mendreczky, the joint recipient of the 2015 Kunsthalle Wien Prize, who creates fictional landscapes using light and shadow with delicate lyricism.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

Catalogue analyzing the oeuvre of Kosovan artist Petrit Halilaj from multiple perspectives, through a selection of essays by Andrea Bagnato, Leonardo Bigazzi, Adrian Paci, and Roberta Tenconi.

A polemical essay targeting the moral economy of indeterminacy in contemporary art.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

The publication sheds light on the 20-year history of the presence of French artists in Germany through the voices of selected representatives of the German art scene (on the occasion of the 20th anniversary of the Bureau des arts plastiques in Berlin).

Interviews with the artist Alain Bublex and the architect-designer-researcher Joseph Grima, a text by the designer and typographer François Chastanet on the graffiti of Los Angeles gangs...