The second issue of the erotic journal, featuring Camille Bellot, Olivier Blanckart, Carole Deltenre, Wim Delvoye, Roberto Ferri, Paolo Giardi, Georgia Grace Gibson, Aurelie De Heinzelin, Florian Hetz, Jean-Kristau, Julien Langendorff, Nico Mazza, Myriam Mechita, Andrew Moncrief, Odd Nerdrum, David Nissen, Valérie Oka, Eric Pougeau, Denis Protéor, Andrés Rangel, Jean Rustin, Anthony Stark, Betty Tompkins, Courtney Trouble, Ida Tursic & Wilfried Mille (each copy includes a postcard, a poster, and a handcrafted wax seal created after a seal ring by Carole Deltenre on which a vulva was molded).

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

A collection of texts on the various aspects of radio creation, published on the occasion of the twentieth anniversary of the ACSR – the Belgian-based studio dedicated to radio and sound creation.

Originally released by Multhipla Records, The Entire Musical Work of Marcel Duchamp is a collection of experimental pieces composed in 1913 by the legendary artist, and executed by Petr Kotik and the S.E.M. Ensemble in 1976. Employing chance operations and non-musical sounds, Marcel Duchamp's musical oeuvre predated some radical concepts developed forty years later by John Cage.

A very personal project that brings together a group of forty recent works—twelve oil paintings, twenty ink drawings and eight pastels—dedicated to his companion and muse, Alba, on the occasion of their fortieth wedding anniversary. Includes two original poems by Enrique Juncosa & Vincent Katz.

Radio recordings from 3 GHz to 30 KHz: a record that invites the listener to discover the electromagnetic landscapes that surround us.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

The book contains largely unseen photos from Jamie McLeod's 20-year-old archive, working with Almond as his muse, patron and friend.

Tekla Aslanishvili's research for an artistic project in the public space.

This publication gathers drawings, paintings and silkscreens, as well as references to readings that nourish both Atelier McClane's reflection and editorial work. All of that constitutes a reflexive system about their practice.

An important work by American artist Mel Bochner yet strangely it remains little-known.

A series of 26 prints of lithographic stones, reflecting on Ed Ruscha's work (artist's book).

Similar to a travel diary, sprinkled with tropes of paradisiacal holidays, Dos Imperial interweaves the work of an artist, Bruno Aeberli, a graphic designer, Pauline Piguet, and a writer, Simon Dubois.

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

High Winds is an artist's book written by Sylvan Oswald, with graphics by Jessica Fleischmann. This “western phantasmagoria” is a bedtime book for adults based on Oswald's experiences with insomnia, gender transition, and moving to Los Angeles.

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

A collection of texts from a series of screenings, lectures, exhibitions and meetings on Palestine organized by the Mucem, Marseille, in 2017.

This book displays the unseen early artworks from Loulou Picasso while he was in art school till the begining of Bazooka in 1976. It also includes some collaboration with Olivia Clavel and Romain Slocombe. Foreword by Genesis P-Orridge.

New Facsimile edition of a brochure published on the occasion of an eponymous exhibition at Centre genevois de gravure contemporaine in 1995.

The inaugural issue of Blank Forms' anthology, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art.

As stated in the preface to this volume, the artist endeavoured to uncover the absolute absurdity that would be God and started one day to collect all affirmations of his being, whatever their character or source, contradictory or not. (...) The result is a 284 pages compendium buffering even the most avid reader.

The portfolio of the exhibition at the Jeu de Paume.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

A dense and enlightening analysis of the “signature” and the development of the story of Marcel Duchamp's Fountain in its historical integration.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

A complete survey of performance arts between Canada, Peru, Taiwan, Portugal, Germany, and Slovakia.

This collaborative artist's book is a work of fiction set in a Kafkaesque world where creativity is a criminal offence and artists are imprisonned. Alexandra Grant's text, the testimony of the prison's warden, is powerfully illustrated by Eve Wood's drawings.

A radical reading of the Spanish city of Valencia, drawing on the works of urban ecology pioneer Patrick Geddes.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

Reference monograph (also available in English).

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

Monograph featuring series of paintings made by the French-American artist between 2013 and 2016 and based from photographic documents originating mainly from sexploitation films of the 1960s. The volume also includes two essays and exhibitions views.

Photographic companion book to the film La controfigura (“The stand-in”) by Rä di Martino: the tale of a cinema troupe in Marrakech trying to shoot the remake of The Swimmer, the 1968 film with Burt Lancaster, based on a short story of the same name by John Cheever.

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

The second issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine includes documents on Trevor Wishart, Denis Dufour, Hém-Ish, Ione, Broutin, François Poyet, Johannes Kreidler, Gil J Wolman at work, a film by Frédéric Acquaviva on the late Pauline Oliveros, Silva Gabriela Béju on Henri Chopin and the magazine OU, a set of posters and postcards…

Collage-book from vintage strip-tease magazines.

With this collage book Polish artist Olga Lewicka draws an illuminating parallel between the visual and cultural history of clouds and the historical development and structures of capitalist and neo-liberal society.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

Influential musician Andrew Liles releases a dark and fantastic literary work relating to childhood and sufferings, illustrated with six images and a sound piece.

The best of 2016: Seventeen distinguished contributors consider the year in art; “The Artists' Artists,” reflections of the most striking single work, event or exhibition of 2016; Top Tens on the best in film, music, books, and performance from John Waters, Angel Olsen, and Terry Castle, and a special section on “The Year In Shock.”