Arcana 3 is part of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. This third volume focuses on advertising imagery targeting women.

Arcana 2 is the second volume of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. Based on the Nordic myth of Odin, this volume investigates the contemporary representation of the male body.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

Billy and her sister Betty live in a futuristic American suburban society obsessed with sex. A series of “disturbing” events will change their lives into a grotesque comic novel… Published in 1968 by Grove Press, Billy & Betty is a biting satire of the American way of life, somewhere between Burgess, Calaferte or the Monty Pythons, and a cult object that inspired Nurse with Wound.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

Kiev, refuge of Donbass artists; the spoken-word scene in London; the Choreographic Coding Labs; Porto's artistic scene; interview with Roger Ballen; electro music artist Actress; writer Charles Robinson; Charlemagne Palestine; autopilot and creation; Europe, mon Amour, by the Birgit Ensemble; portfolio by Richard J.Butler and Harvey Benge.

Artist book whose title embodies the aesthetical research led by Arthur Fouray on the shift between painting and the cinematographic experience. The publication alternates a series of painting/serigraphy on cushions and textual and typographical experimentation.

In this new book time and space, which are fundamental aspects of Arena's work, are encapsulated in six horizons, six roads and ten landscapes. Essays by Mario Fortunato and Andrea Viliani, together with statements written by Arena himself on each work here published, examine in depth the practice of one of the most interesting artists in the Italian and International artistic scenes.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

The visual iconography of Scotland transformed by Parr into the outlandish and unfamiliar.

This 2nd issue is dedicated thematically to the conjunctive binding of individuals within groups, collectives and swarms in the interplay between art and society, utopia and theater (with Artur Żmijewski, Mohamed Bourouissa, Jelili Atiku, Aernout Mik, Alexander García Düttmann, Mário Gomes, Eric Baudelaire, Agnieszka Kurant, Beni Bischof, Public Movement, Ann Cotten, Diane Williams, Stephen Barber, Clémentine Deliss, Milo Rau).

10 exhibition reviews, 7 interviews, 10 exhibitions in pictures, some artists special projects, and the chronicles (Raymond Pettibon, Herzog & de Meuron, Wade Guyton, Bruno Serralongue, Richard Phillips, Suzanne Koller, Bruno Gironcoli, Joe Bradley, Bertrand Lavier, John Currin, Marina Faust…).

Special anniversary edition, featuring 50 monographic stories from the magazine's past issues, in addition to a 30+page commissioned project by conceptual artist Martine Syms.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

Taking the form of a choral novel, this publication gathers experimental narratives describing pedagogical experiments pursued by artists and curators.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

A critical essay on the state of the academic world, and a call for the development of an autonomous knowledge production.

Monograph documenting a project undertook by the Swiss artist from 2009 to 2016, in which she examines the practice and tools of a center for fundamental research in the field of cognitive neuroscience. With texts by Joerg Bader, Pascal Rousseau, and Anne Immelé.

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

Centro de Arte 2 de Mayo in Madrid invited Oriol Vilanova to intervene in the center's collection of graphic works. Developing its reflections on the modalities of exhibitions, Vilanova collected and exhibited empty window cases from Madrid's museums.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

How technologies of image-capture and the channels of communication have in recent years transformed the very terms of human rights.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

This reader brings together American and French scholars to discuss the recent paradigmatic shifts from anthropocentric theories toward new models of realism, objectivity, and even metaphysics, occurring in the realm of contemporary art and philosophy—with the school of thought called New Existentialism as a guiding topic.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees.

Produced in conjunction with two exhibitions, this monograph offers a rich critical overview of Parreno's work, with essays by Cyril Béghin, Molly Nesbit, Brian O'Doherty and Adam Thirlwell, and two interviews with Hans Ulrich Obrist and Andrea Lissoni. An invaluable research tool for studying one of the most influential and charismatic figures on the contemporary art scene.

This first volume gathers traditional music from different areas of the Indonesian archipelago, featuring music from Sulawesi, The Moluccas Islands (Spice Islands) and Central Java.

This second volume dedicated to traditional music from the Indonesian archipelago covers music from the vast island of Sumatra (West Indonesia), The Moluccas Islands and the island of Bali.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

Fashion designer Rei Kawakubo's solo show at the Metropolitan Museum of Art; interview with William Pope.L on the occasion of his sound installation/performance at Documenta 14; Lindsay Lohan as a cultural phenomenon; interview with Pier Paolo Calzolari; the enigmatic art of Rodrigo Hernández; the choreography of Ligia Lewis; the filmmaking of Park Chan-kyong; exhibition reviews.

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

Art criticism: historical approach and current practices

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

Postmodernism and gift culture: everyday objects in contemporary art since the 1960s.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).