In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

New monograph.

New monograph.

New monograph.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

A collective publication examining Rousseau's legacy through the ages, from the Revolutionaries of 1789 to environmentalists, musicians, educators, Socialists, Resistance fighters, Romantics… Each chapter is accompanied by a visual essay featuring archives and recent documents.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

One year in the art world: Art Basel's official annual publication, “Art Basel | Year 45” captures and documents the 2014 shows in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors, and museum directors. Immersive, insightful, and art, art, art.

PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

Between documention and recreation: memories and transmissions of performance art and contemporary dance.

The first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy.

Disordered Structures is a book of drawings by the Polish sculptor and installation artist, which documents her artistic research on structures and constructions.

An exploration of the concept of the museum from an artistic and outside perspective.

This publication aims to explore how the multiple production of Raoul Hausmann, a central figure of Dada, has helped to shape the art of modernity.

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

The legendary fight between Muhammad Ali and Jürgen Blin in Zurich, covered by the photographer Eric Bachmann.

An anthology surveying the relationship between artistic practices and documents.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Catalogue.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

First monograph.

Ten encounters between artists and young audiences between 2011 and 2013.

The reprint of two out-of-print artist's books self-published in the 80's by the Japanese artists collective The Play, with a previously unreleased documentation.

Entitled “Studies for Player Piano,” the first issue of the contemporary art journal premised on aesthetics of encounter, specifically between the writing, art, and ideas expressed in Latin American culture in relation to discourses, philosophies, and art generated elsewhere, is dedicated to the life and work of experimental composer Conlon Nancarrow (1912-1997). With Mario Garcia Torres, Mariana Castillo Deball, Carlos Sandoval, Céline Condorelli...

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

The meaning of performance and performativity today.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

Comprehensive monograph based on the special commission made by Barcelona-based Portuguese artist Carlos Bunga for the Sonae/Serralves Project in 2012.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

An epistemology of performance.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

In about 600 selected letters, this correspondence documents the biography, activities, career and work of the art historian Leo Rosenthal (1870-1932).

New monograph.