A collective essay focusing on the intersections between contemporary dance and literature.

This book of interviews and conversations with today's most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today's art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

In Japan, what is left of Butō?; Qatar, the young painter and the Emir's portrait; John Maus; F. J. Ossang; the new generation of French graffiti artists; interviews with Anders Petersen, Michael Foessel, Vincent Macaigne, Lola Gonzalez; Crowd by Gisèle Vienne; Mount Olympus by Jan Fabre; the oppressive mutations of urban lighting; portfolio by Fumi Ishino & Thomas Koenig.

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

Catalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cecile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer and Anna Uddenberg.

Three interconnected essays on typography.

How media and new technologies affect our sense of the present.

This voluminous publication gathers 818 drawings by Dutch artist Michael Tedja, along with a series of commissioned texts by critics and curators. It highlights Tedja's practice as hypersubjective and all-encompassing, as well as predicated on studying the circulation and recycling of images.

This publication is the first outcome of an ongoing series of seminars at the Bergen University of Fine Arts, developping critical and creative perspectives on invisible practices. These essays and works seek to investigate the operations of visibility by highlighting the unseen, the camouflaged, the immaterial and the erased as particular aesthetic strategies, and to reflect on the possible outcomes of such strategies on the socio-political realm.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

A twenty-year survey of works by Julie Mehretu, considered as one of the foremost painters of her generation.

Since 2009, need and care and desire and admiration have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors. These writings have now been collected to form this comprehensive volume.

Invited to forge a dialogue with the unique context of the Art Deco building of the Serralves Villa in Porto, American artist Nick Mauss created works that reflect an encounter with the social and private choreographies of the formerly grand and domestic spaces of the Villa. The catalogue includes an essay by the American author and poet, Lucy Ives and an interview with Nick Mauss, conducted by João Ribas, the exhibition's curator.

In this publication, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

This issue questions artificial intelligence according to theories of utopia and dystopia, of existence and consciousness, and of gender and identity. It features Ian Cheng, Mario Klingemann, Sondra Perry, Sam Lavigne, Harold Cohen's AARON, Lawrence Lek, Jenna Sutela, Lynn Hershman Leeson, Cécile B. Evans, Leonel Moura and Stelarc, “Automating Aesthetics” by Lev Manovich…

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

An international history of video art and experimental cinema networks in the early 1970s: the volume casts a new eye on various exhibitions, broadcasts and production and distribution structures, including a case study on Jonas Mekas' Anthology Film Archives.

A collective study on the theatrical reenactment of the storming of the Winter Palace by Soviet dramatist Nikolai Evreinov, on the occasion of the October Revolution's third anniversary. This staging of the beginning of the revolution, performed by 10.000 people, is documented thanks to an ensemble of texts, photographs, and drawings.

A collection of essays focusing on the notions of invention and image in art.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

This luxurious, silk-bound limited edition in a brushed aluminum box set presents highlights from Sugimoto’s Theaters series.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

Panorama reveals one of the principal artist work techniques Francesc Abad applies when arranging images, voices and elements.

The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States.

This manual of aesthetics, tinted with humour, provides the key to a happy existence through the unexpected combination of the philosophies of Buddha and Nietzsche.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

For three years Rico Scagliola and Michael Meier have been taking candid photographs of people from all walks of life and of every age in public and semi-public urban spaces: on streets and city squares, in cafés and bars, train stations and airports, stores and shopping centers. Combined with genuine words taken from the internet or heard in the street, this photographic series is a comédie humaine of the present day and age.

First artist's book: 25 poetic notes on love written on a memorandum.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

In 1961, L'Illustrazione Italiana sends critic Giorgio Zampa and photographer Ugo Mulas to carry out a reportage in Denmark. Along their meetings with writer Karen Blixen or Nobel Prize Nils Bohr, the two correspondents also witness the new manifestations of the Scandinavian lifestyle, characterized by its design and its modern habitats.

Mark Thomas Gibson questions the long-lost quest for utopia in the USA through a narrative that brings together the high and low visual languages of painting and comics.