Stemming from the Master Fine Arts at the Zurich University of the Arts, this theoretical publication investigates educational processes and what it means to teach and learn fine arts in a city such as Zurich. It also reflects on the field works made by the MFA students in 2017 in Athens, Beirut, and Lesbos.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

A reflection on history and the historical document, based on the chronicles of a village written in the 19th century by a Walloon worker.

Crossing perspectives on performance acts within the discursive space of contemporary art.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

Catalogue of the exhibition-manifesto curated by Nicolas Bourriaud, which takes as its starting point the integration of the notion of Anthropocene in today's artistic scene: the publication proposes an exploration of the output of a new generation of artists who are working on reality, and doing away with the traditional division between the notions of “culture” and “nature.” The catalogue reviews each exhibited work in detail, and offers an enlightening glossary.

The second book in a series dedicated to the installations exhibited in the nave of the CAPC, De la source au poème documents artist Rosa Barba's eponymous video installation: an investigation on cultural legacy and spaces of memory. Designed as an artist's book, the publication offers a rich and poetic journey to the heart of the exhibition, and features an interview with Barba.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

An historical account of walking as an artistic practice inside Surrealism, the Situationist International, and Fluxus.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

Exhibition catalogue documenting the eponymous sculptural project showcasing silicone impressions of Berlin's bullet-ridden facades from the Second World War. These architectural traces embody trauma and time, from the war to nowadays. The publication catalogues these facades and focuses on the making of the project. It features a text by writer Deborah Levy.

A story of love and drunkenness with Venus in Zurich's forest, by German writer Oskar Panizza. This edition comes with a musical piece and illustrations by experimental intermedia duo My Cat Is An Alien.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

brings back to life the forgotten art of window-dressing, through an artistic and intimate portrtait of window-dresser Bob Steffen.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

Bienvenue intends to bring back to life the forgotten story of the publication of Pour Jean Sénac, a book dedicated to gay poet and Algerian nationalist Jean Sénac. This edition gathers old and contemporary documents by graphic designer Christophe Jacquet on the project, and features a long conversation between Jacquet and Thierry Chancogne.

The first publication by Roberto Timperi gathers more than ten years of photographic work: an intimate diary and a one-way ticket into the underground world.

This February in Artforum: Dan Nadel on the art of Christina Ramberg, Howardena Pindell talks about her forthcoming retrospective at the Museum of Contemporary Art Chicago, Amy Taubin on Errol Morris's Wormwood, Caroline Lillian Schopp on the art of Franz Erhard Walther, plus reviews from New York, Detroit, Paris, Bologna, Mexico City, Sharjah, Tokyo, Beijing, and more.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

The catalogue for Heman Chong's first solo museum exhibition in mainland China, at the Rockbund Art Museum, provides an insightful and critical look into the Singaporean artist's recent practice.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

This artist's book is based on a namesake project of video installations and art objects exploring the transformation of the image within time and space. With texts and drawings by curator Vitaly Patsyukov.

Transdisciplinary collection of essays and stories providing new propositions for the concepts associated with communism in relation to a variety of contemporary issues. Contributions are drawn from the project “The Kids Want Communism”—a clandestine public series of events marking the century of the Bolshevik Revolution.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

This catalogue surveys the literature on our relationship to a world of machines, new technologies, and electronic devices. It brings thoughts on automation and its promises, primarily the end of labor. The publication unfolds a bibliography and chronology on the subject.

In a junction of artist's book, illustrated sci-fi story, and a glossary of sculptural objects Ludovica Carbotta explores the concept of “fictional site-specificity” through different media, authorships, and descriptive strategies: a site-oriented practice that considers imaginary places, or real places within fictional contexts, to recover the role of imagination in the process of constructing knowledge.

Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.

A collection of texts gathering stories of journeys across Asia and literary reflections on travel.

An album for children about horror movies and monsters.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.

The review of the Museum of Contemporary Arts in Grand-Hornu (MAC's) inaugurates its new formula with the theme of the museum and its criticism by artists. This issue showcases a selection of contemporary and international artistic projects reflecting on the concept of museum. With artists Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan, and Fred Wilson.

Contemporary views on Egon Schiele; the controversial artistic treasury of the Gurlitt Collection; Macron's victory explained in literature; interviews with Giuseppe Penone and Lucy McKenzie; Glasgow: Britain's true artistic capital; photography in India; Tokyo's urbanistic issues; “Negative” section with Robert Menasse's Die Hauptstadt, Tonya Harding, Google, ballet's gender-free future, and a marriage advice for an American at Kensington Palace; portfolio by photographer Michele Borzoni.

Armen Avanessian's Miami chronicles: An inventory of the self in the second person, intertwining thoughts on the art world and interrogations on our digital times.

Rita Mcbride, Julia Scher, Lu Yang, Michael Stevenson, Alexandra Pirici, Martin Arnold, Erika Verzutti, Julia Phillips & Aaron Gilbert, Simphiwe Ndzube, Diego Marcon, Tiona Nekkia Mcclodden, Diamond Stingily, Meriem Bennani, Siri Aurdal, Asad Raza, Lydia Ourahmane…

Anicka Yi; on “post-work” by Tom McCarthy; Twing Peaks: The Return, by Philippe Parreno & Asad Raza; death of the art gallery model: a round table; Gilbert & George; Oliver Laric; new formats in digital art; Do we need a new avant-garde?; interview with the Contemporary Art Writing Daily; Courbet's La dame au podoscaphe; Documenta X (1997) by Daniel Baumann; John Russell by Tobias Madison; Manifesto for the public museum; reviews from London, Milan, New York, Paris…

Three Double Tales is the first monographic publication on Aurélien Froment's work. Published in three languages and designed in collaboration with Åbäke, the book revisits the artist's interest in the questions of translation and wordplay. A photography book, an exhibition catalogue as well as an artist book, Three Double Tales unites three projects that share the use of photography, and whose sources – places and fantasy – have structured Froment's work for the past fifteen years.

Two-volume box set documenting a 2013 eponymous international festival reflecting on the impact of technologies in our present and future lives. Inspired by a seminal 1966 Stockholm festival, this event featured both lectures and artistic acts. The publication gathers the catalogue and proceedings of the 2013 event, archival materials, and includes unpublished correspondence by John Cage, and Buckminster Fuller, and texts by Alvin Lucier and Nam June Paik.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

A thriller novel set in a dystopian Europe where a medicine against depression radically changes people's behavior…

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

This catalogue is a visual journey through the artist's show at Mudam Luxembourg. It centers on Almond's series of cosmos-inspired abstract paintings Timescape. Produced in conjunction with the publication, the record All Things Pass highlights the musical dimension of the artist's eponymous video installation. The soundtrack embodies both the tradition of music in Northern India and an experimental approach, expressing links between cosmic and human existence.

Issues 5 to 8 of the critical review dedicated to Graphic design. Compilation includes studies on the following subjects: an Instagram post by studio Experimental Jetset for the Paradiso cultural centre in Amsterdam; a series of gestures, from Harun Farocki to L'Architecture Aujourd'hui; the publication Parallel Encyclopedia by Batia Suter; Charles Mazé & Coline Sunier's residency at the Villa Médicis.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1984 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1992 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

A compendium of essays, scripts, poems, and proposals compiled by the anonymous collective Studio for Propositional Cinema for their eponymous show at the Kestner Gesellschaft in Hannover. It investigates notions of script and staging in exhibition display. It features reknowned contributors such as Paul Chan, Keren Cytter, Irena Haiduk, John Miller, Cally Spooner, Lawrence Weiner et Christopher Williams.

In recent years, most diverse disciplines have been stressing the importance of matter within the web of relationships of culture and nature. This publication focuses on this new material phenomena in arts in relation to the humanities and social sciences and brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Never released before recordings from Logos Foundation live sessions in Brussels, on May 7, 1977. Toop and Burwell's association, which ran during the seventies, was a good mixture of musical decomposition through free improvisation, bioacoustics, environmental sound, raw musics, anthropology, and esoterism.