New paintings, sculptures, photographs and site-specific installations.

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

Limited edition, numbered from 1 to 50, signed, and accompanied by a multiple by Benoit Maire.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

On the occasion of this 13th issue, the Japanese artist asked 46 participating artists to cultivate a hyacinth, and to give an account of this experience through artistic gestures, including paintings, photographs, poetry, haiku, essays, and observation diaries (with Yukinori Maeda, Masanao Hirayama, Benjamin Sommerhalder, Susan Cianciolo…).

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

This publication features academic and literary contributions, interviews, songs and photos which explores the impact of labor migration on the notion of motherhood from the perspectives of women migrant workers and children left-behind.

Cicoria is a visual essay conceived as a stream of images of the Alessandro Cicoria's past and current artworks, put together with apparently no visual coherence by Cicoria himself. A dialogue between the artist and curator Luca Lo Pinto is the map to understand the peculiar attitude behind his work and vision.

Five writers respond to Clare Goodwin's painting Dennis and Denise (2018), offering narrative foils to Goodwin's visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting's wealth of implicit meaning (texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, J. Emil Sennewald).

First monograph.

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.

The scripts of Romy Rüegger's performances: a constellation of texts, largely written to be spoken. The scripts as they are printed do not document the performances primarily. They are indications of spacial and temporal layering, juxtapositions of aesthetic and poetic elements and bodies. Overlapping every day observations with archival material, confronting, jumping.

This publication reflects on the education and mediation programs at documenta 14. Organized as a lexicon, it gathers contributions by members of the programs, curators, artists, and educators.

The relation between crime and power through the lens of archives. Featuring: William Friedkin, Stasi Archive, La Notte, The Secret Life Of Elena Ferrari, Giorgio De Chirico On World War One, The Jonestown Massacre, Marco Malvaldi on suicide, Danse Macabre by Alberto Martini, Phone Taping Vertigo on Aldo Moro. Great thought by Elio Petri On Police Power, Cold Balkan Blood by Ana Blagojevic, Professor Andrea Pinotti on the shroud, Brad Feuerhelm on anxiety and photography, Howard Bingham: The Invisible Photographer and Michael Salu on private pictures from the first Gulf War.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

Limited edition, with an exclusive Toilet Paper puzzle.

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Borrowing its title from an unfinished documentary film on post-independence Guinea-Bissau, this reader stems from a conference which brought together artists, writers and researchers to address issues related to the people's struggle for independence from Portuguese colonialism and subsequent nation building. The contributors also engage in a reflection on the experimental use of archives in their research.

Bettina Funcke on how appropriation became cultural appropriation; Mary Flanagan on the history of Virtual Reality art since the cave paintings; Pablo Baler on Bio-Politics, Bio-Tech, Bio-Art and Bio-Fiction; James Gill on the death of subculture in the 21st century; image spreads by artist David Mramor and microdosing pioneer Paul Austin, plus much more.

This book examines the notion of deferred receptions of theories and art through language, context and translations.Vincent Bonin explores the gap between the publication of a text in one language and that of its translation (using the example of the French Theory), or between the inaugural presentation of an artwork in one context and its subsequent display. A critical reflection on the discourses surrounding contemporary art practices.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

Stemming from a Public Art Zurich project, this publication gathers texts and international artists contributions exploring the condition of 21st-century cities in relation with contemporary art.

This scholarly publication discusses the historical development of the Kunsthalle Bern and its implications for the “localization” of art. It contributes to current research on institutional histories by looking at the many ways in which the Kunsthalle Bern addresses the question of how exhibitionary practices take place.

Interdisciplinary study gathering critical essays and visual contributions attempting to rethink environmental aesthetics beyond the idea of landscape.

New monograph.

A series of wood carvings by Peter Schuyff, reproduced on a scale of 1:10, alongside a short sorry by Arthur Miller staging the relationship between man and beaver.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

An essay on Adolfo Bioy Casares' novel.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

This publication surveys the work of Italian critic, architect, and visual artist Gianni Pettena. Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement.

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

What roles and functions does type play in design? How does it relate to the meanings of type inherited from other knowledge disciplines?

Reference monograph.

The catalogue of the 13th edition of the Baltic Triennial which takes place in three venues: Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. The publication includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project.

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

The Toguna is a collective work co-created by craftsmen and visual artists, a space of conviviality and sharing in the heart of the Palais de Tokyo. This publication follows the project's genesis through texts and images, and addresses the questions raised by the collaboration between craftsmen and artists.

Illustrator Soufiane Ababri; novelist Fanny Taillandier; a critic of the Anthropocene by historian Jean-Baptiste Fressoz; interviews with Lav Diaz and Gurshad Shaheman; models' rights advocacy organization Model Law; on the back side of Naoshima; dubbing in Quebec; Arles and the money issue; portraits of Maud le Pladec and Èlg; Portfolios of Marie Valognes, Mimosa Echard, Louis Canadas & Theophile Hermand; Gabriel Gauthier's poetry; chronicles and diary.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.