This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This catalogue documents an eponymous exhibition by the British artist inspired by the daily lives of astronauts in space. The publication presents a series of images of the exhibition together with unpublished photos by the NASA. The book also includes a conversation between the artist and Victor Buchli, a NASA astronaut.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

This monograph offers a portrait of over a decade of work by international artist Andrea Galvani. It is a visual excavation into the rigorous research, scientific methodologies, and philosophical thought that underscore his practice. His most notable projects are examined through essays, field notes, calculations, cartographies… in support of a better understanding of a both demanding and fascinating work.

This publication accompanies Torbjørn Rødland's touring exhibition “Fifth Honeymoon,” featuring thirty new photographs and a new video work, his first in eleven years, as well as newly commissioned essays by the American writer and cultural theorist Sianne Ngai and artist colleague Matias Faldbakken.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

The sculptures of Kathleen Ryan, by Andrew Berardini; Zoë Paul; the emo-romantic turn, by Michal Novotný; the experimental theatre of Reza Abdoh; Jennifer Bolande by Marie de Brugerolle; Virgil Abloh; Takesada Matsutani by Hans Ulrich Obrist; women artists in the Middle-East, by Omar Kholeif; Phoebe Berglund & Madeline Hollander; exhibition making in the Anthropocene, by Chris Sharp; João Laia by Joshua Simon…

The Black Flame of Paradise is the first novel by American artist Zachary Cahill. The book is a proposition for a new model of religious life grounded in the artistic and personal relations to the divine.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

A 520 pages reference monograph which traces the career of Claude Lévêque, and more particularly these last ten years. The core of the publication contains numerous reproductions and texts by Florence Ostende, David Sanson, and Dean Daderko. This edition also includes four inserted booklets, each dedicated to a specific topic: “practical work,” “writings,” “projects,” and “biography”.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

The first artist book by Athena Papadopoulos conceived as a diary and a novel. The publication is a collection of drawings and thoughts of the artist in the form of a romance, published in two different editions.

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.

Focusing on a lesser known aspect of Walter Pfeiffer's practice, this monograph explores the Swiss photographer's graphic works throughout the decades: large-scale hyper-realistic pencil drawings, drawings in China ink, colored pencils and watercolors, characterized by a joyful sensuality that emanates from his portraits of friends and his floral still lifes.

This issue of Cura. asks the question: how can we be revolutionary? Through a kaleidoscopic range of visions, images and actions, artists figure out the production of a new social body and challenge the establishment. With: Alex Da Corte; Jeremy Deller's Social Parade; Simon Castets; Martha Wilson's performances; Petra Cortright on Paul Chan; interview with Jamian Juliano-Villani by Hans Ulrich Obrist; conversations between and Daniel Steegmann Mangrané and Rivet, Jean-Marie Appriou and Rebecca Lamarche-Vadel, Sophia Al-Maria and Lena Saraj; Ramaya Tegegne…

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

This catalogue stems from the artist's eponymous video project dedicated to Argentine pianist Margarita Fernández. The publication reproduces two texts from seminars given by Fernández, in which she gives an analysis of the filmic and musical writing taking the example of Robert Bresson's use of Franz Schubert's Sonata in A major.

Special 1980's Issue: artist/activist collective Gran Fury; Liam Gillick; Philippe Thomas; London “style bible” magazines The Face and i-D; Bob Nickas; interview with Pippa Garner; the music criticism of American Spycho's Patrick Bateman; Rosemarie Trockel; 80s Vienna art scene; Mathieu Copeland on post-modernism; Helene Winer; Ericka Beckman; Jean Baudrillard: the signature thinker of the 80s…

This reader addresses the concept of “contemporaneity”, the temporal complexity that follows from the coming together of different temporalities in the same present. It asks how these temporal qualities can be made known in the context of contemporary art research and particularly through practices that involve exhibitionary forms.

Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

A graphic examination of white in its entirety: as a matter, a surface, a space, a light, a movement, an idea.

A joint catalogue focusing on two group exhibitions at the Künstlerhaus Graz dedicated to the examination of current performative practices in relation with the main works of historical forerunners.

All poems written by Apollinaire during World War I, gathered for the first time.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

A text by Antonin Artaud illustrated with a 15-minute unreleased sound piece by Nurse With Wound entitled To Another Awareness.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

The films of Ana Mendieta.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

12-page special feature on Tony Conrad, with texts by Nora N. Khan and Charlemagne Palestine, on the occasion of his traveling retrospective; the Cultural Capital Cooperative; Tony Cokes's 1988 video Black Celebration; Raul Guerrero; the art of Tobias Kaspar; the minimalist tendency in Rasheed Araeen's work…

The itinerary as an artistic, architectural, territorial and social experience.

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

Jacques Attali's chronicles on art.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

The growth of thought on ornament, applied arts and architecture in the industrial age, between ornamental impulse and decorative project.

A review of the epistolary correspondence of Gustave Courbet, by an ethnologist, a writer, a psychoanalyst, a hunter, a philosopher, a gastroenterologist, a psychiatrist, two curators, and six art historians.

“Primitivism” as a tool for analysis of post-war French society, between a modernization and decolonization movement, and possible forms of resistance.

Fully documenting Koki Tanaka's latest video & photo project, this publication focuses on a pressing issue from the artist's native country—the mutual incomprehension and mistrust between Zainichi Koreans and ethnic Japanese—to plead for vigilance when it comes to racism and discrimination.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

A collective reflection on the legacy of Max Neuhaus, the pionneer figure of sound installation art.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).