Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

How to explain the intersection, during the twentieth century, of the ideology and theories on violence and creativity?

Hans Hartung and the cinema.

This publication presents the results of a research project which explored the transformation of informal structures within the road transport corridors connecting Eastern and Western Europe following the fall of the Iron Curtain.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.

A collection of essays and portraits on one of the most influential art critic and curator of today.

Catalogue.

Susan Cianciolo's new artist's book.

Artist's book.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

The seminal tale of Iannone's advocacy for sexual liberation.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.

This reader gathers more than twenty leading curators and thinkers who present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy in curatorial practice.

This catalogue offers diverse representations of everyday life in Algeria and its diaspora through film, paintings, photography and sculpture by twenty-five contemporary artists. It includes the first English translations of key theoretical texts on Algerian contemporary art.

Stemming from the Barthean spirit of the 2017 opening show of Brazilian gallery Mendes Wood DM's new space in Brussels, this catalogue gathers new works by a selection of artists who participated in the inaugural exhibition. It also features a fictional history of the gallery by Oliver Basciano, associated with photographs by Mauro Restiffe.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

This publication looks back on Laure Ghorayeb's transition from writer to painter.

This first monograph looks back on French artist Alexandre Leger's production over the last 10 years.

Monographic catalogue dedicated to the life and practice of Christoforos Savva, whose oeuvre was unparalleled in the incipient Cypriot art scene of the 1960s (catalogue of the exhibition at the Cyprus Pavilion at the 58th Venice Biennale, honoring the 50th anniversary of the artist's death).

A compilation of press archives related to Cypriot artist Christoforos Savva, selected in the Cypriot press and literary periodicals between 1954 and 1968.

First monograph dedicated to British filmmaker and video artist Stephen Sutcliffe. Including commissioned essays and an interview with the artist, At Fifty examines over twenty years of film collages practice, delving into Sutcliffe's extensive use of television archives and critical reflection on British cultural identity.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

In this book, the 1923 manifesto “Active Art” by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.

The Unreal Issue includes: Alluding to the invisible Gaetano Kanizsa, He will not come in the splendour of his glory, Memories of an observed scenario, World sign relic, Wherever you look you can admire, Against the point of view, The banality of evil, CRRI—The archive as a tool, Post-ideological autonomous island, Bodies are the objects, The beginning of the Italian music industry: Ricordi against piracy in the 19th Century, The mythology of the saint, Jeux sans frontières.

This October in Artforum Lauren O'Neill-Butler on the art of Agnes Denes, Barry Schwabsky on Jean Dubuffet, and Jace Clayton on Christian Marclay. Plus, 4 artists and critics consider the legacy of Douglas Crimp, Amy Taubin on Steven Soderbergh's The Laundromat, exhibition reviews from Paris, Zurich, Basel, Vilnius, and much more. 

Interviews with Korakrit Arunanondchai, Antoine Catala and Dan Graham, Atelier Bow-Wow, American Artist, Jeff Bliumis, James N. Kienitz Wilkins, Rion Amilcar Scott, and Carmen Giménez Smith.

Cura. #32 brings together an incredible array of conversations with cutting edge and pioneering artists, together with recurring and brand new sections, that set the rhythm of an upcoming year filled with new and thrilling explorations.

Retrospective monograph.

The great tumult of space.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

Nairy Baghramian by Andrew Berardini, Travis Jeppesen, Nobuo Sekine by Hans Ulrich Obrist, Avery Singer, David Ostrowski and Tenzing Barshee, John Gerrard, Ren Ebel, Jill Johnston, Eric Wesley, Tyler Coburn and Elvia Wilk, Alice Bucknell...

Coéditrice : Rachel O'Dwyer ; entretiens avec Pip Thornton, Joana Moll, Mendi et Keith Obadike; ASurveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines ; Transmediale 2019, Master/Slave exhibition, Leonardo 50 years anniversary...

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

Sexuality as a properly philosophical problem of psychoanalysis.

Where does escape end and escapism begin?

The publication presents a collective project lead by artist and researcher Verina Gfader.