The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

Tal R's collages from his eclectic collection of images and objects (artist's book).

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size.

Kilobase Bucharest A-Z is a publication aimed at describing Bucharest through a sort of experimental primer: for each letter of the english alphabet, 26 artists and collectives have chosen a key term that represents a sliver of the Romanian capital. The resulting portrait conveys the essence of Bucharest from a subjective standpoint that captures the infinite facets of the city's life and culture.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Mark McKnight, Estelle Hoy, Mitch Speed, Cudelice Brazelton IV, He Xiangyu, Gianluca Concialdi, Samuel Hindolo, Phung-Tien Phan, Trulee Hall, Alex Ayed, Tiffany Sia, Erna Rosenstein, Laura Grisi, Duan Jianyu , Miho Dohi , Stella Zhong , Yalda Afsah, book reviews by Taylor Le Melle...

Issue dedicated to music as work.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

The fiscal cliff according to Erlend Peder Kvam.

An album of “synthetic exotica & pseudo-ethnographic music”.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Artist's book / monograph.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

A documentation of new values and new worlds and a guide to them.

The catalogue raisonné of the Frac Île-de-France Collection.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

The power of art to anticipate future social and technological developments inspired the new issue of Cura. to investigate the notion of futurity through the work of some of the most visionary and promising artists of the contemporary landscape.

Dave McEnzie, Luke Libera Moore, Niki de Saint Phalle, Chao-Chen Yang...

Drawing on the borders of abstraction: first monograph, conceived as an artist's book, produced in close collaboration with Léa Belooussovitch, as close to the aesthetics of her felt pen drawings.

Retrospective monograph.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

An anthology.

Aesthetic practices and human rights in the global south.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

The collection of writings on art by the French philosopher, historian, semiologist and art critic Louis Marin (1931-1992).

A fascinating journey into the experimental filmmaker's universe.

The misappropriated notion of care and the paths for its rehabilitation.

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

The text and photo diary of a forty-day journey on foot from Venice to L'Aquila, following the subterranean fracture where the European and African tectonic plates meet, in search of the symbolic dimension and the real effects of seismic waves.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.