A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating?

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

A surrealist anticipation novel by the Indian artist.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

Modernism/Murderism brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of India's Gujarati-language literary periodical Kumar between 1959 and 1964.

Dedicated to the activities of the Association for the Palliative Turn (APT), The Palliative Turn Number 1 proposes a fundamental shift in our attitude towards art and culture, informed by the practices of palliative medicine and care.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

First monograph.

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

The renunciation of art / the art of renunciation.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

Reference monograph on the work of one of Belgium's most discreet, yet most important, female artists.

Yves Scherer's Tatami mats series.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

Catalogue / artist's book.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...

The political potential of art.

Artist book / first comprehensive monograph.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The BOM DIA weekly planner for 2022.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...