What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

Alongside Mousse's surveys, monographs, thematic essays, short profiles, fiction and book reviews, Issue #84 inaugurates four new columns with a reinforced emphasis on textuality and critical thinking: Criticism (by Kerstin Stakemeier), Thinkers (Ana Teixeira PintoAna Teixeira Pinto on Sara Ahmed), Curators (Kabelo Malatsie), and Reprint (selected by Lawrence Abu Hamdan).

Spike #76, around the theme of artists' lives and careers.

This publication invites us on a journey to decipher the hidden predatory logic within the mechanisms of gold mining exploitation and the resulting socio-ecological devastation in the Guayana and Venezuela's Amazon regions.

New monograph, focused on the last years of work of the duo around the animal, landscape and ecological issues that cross it.

First monograph of the Spanish painter: a collection of paintings and drawings created by Cristina BanBan between 2021 and 2023, accompanied by a text by Grant Klarich Johnson.

New monograph.

Reference monograph.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

"For those who, despite everything, have decided to live, there will always be a home." A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.

First monograph.

This 5th issue of the anthropology journal created by Mariana Castillo Deball explains and develops the issues at stake in the artist's recent research.

Performance art with a “low artistic coefficient of visibility”.

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The inaugural edition features 18 artists, and showcases over 80 original artworks and literary texts.

An overview of photo and video works by Farah Al Qasimi between 2017 and 2021, with which the artist investigates how spaces and subjectivities inflect and influence each other.

The 2024 Toilet Paper wall calendar.

Anne Imhof; General Idea / AA Bronson; P. Staff; Jamian Juliano-Villani; Richard Kennedy; Sara Sadik; Pol Taburet; Ligia Lewis...

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

The multiple issues of sexual representations in art / the complex relationships between art and the various forms of pornography.

The 12th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with Atlas Studio, Eurostandard, Nathalie Herschdorfer, Elisa Medde, Jonathan Olivares, Samuel Spreyz, Manon Wertenbroek.

A novel of anticipation anchored in queer ecologies, a frenetic odyssey interwoven with songs and short poems, mixing the genres of feminist science fiction, young adult literature, space-opera and marvelous fable.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

New media theorist Wendy Hui Kyong Chun exposes her original conception of programming and code, alerts us to the racialization bias, homophily and eugenic tendencies that govern our interactions on platforms, and analyzes the need to call upon the humanities and social sciences in the development of algorithmic models for predicting the evolutions and impacts of climate change.

First monograph of the African-American artist, renowned for her representations of black femininity, whose spectacular pop patchworks deconstruct and recompose the everyday feminine/masculine relationship in its domestic dimension: an overview of Tschabalala Self's production, with seven essays and an interview.

In his "Autobiography", Andrea Salvino uses different visual elements that characterized his production through the years: movie stills, details of master paintings, images of celebrities and many others.

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

Catalogue of an exhibition centered on the work of the artist and writer Helen Khal (1923-2009), an influential figure in the Lebanese art scene.

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

A very personal text by Yann Chateigné Tytelman, curator and critic, who establishes a link between his past, his childhood and his career as a curator, his artistic choices, his exhibitions, often in connection with the theme of silence.

Karen Kilimnik's artist's book Early Drawings 1976–1998 brings together the artist's own rich and varied selection of around 130 never before published early works on paper.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

Monograph.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

The first novel by Swiss artist Johana Blanc.

Hypnotic instrumental improvisation-based explorations by the trio from Cairo featuring Maurice Louca (Alif, Bikya), Sam Shalabi (Land of Kush, Shalabi Effect) and Alan Bishop (Sun City Girls, The Invisible Hands, Alvarius B.) are propelled by North African percussion loops and shimmering keys, a West African tinged free jazz guitar and a driving Krautrock-style acoustic bass.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

Diaphanes #11 explores practices of human and non-human substitution, plays with the myths and visions of motherhood and procreation, gathers artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

MUdec United, the new publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The first issue addresses the themes explored with an exhibition project composed of different stories related to the rainbow as a natural, cultural, spiritual and human phenomenon.

Rosemarie Trockel, Mike Nelson, Lygia Pape, Tom Burr, Simone Forti, Deepfake Generation...