Raphaël Minnesota retraces the career and explores the whole oeuvre of Patrice Kirchhofer (1953-2019), one of the most mysterious and mythical filmmakers of French experimental cinema.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

Artist-photographer Georges Senga investigates into the figure of Bonaventure Salumu, so-called "pagan hunter", who between the 1940s and 60s received a Christian education from missionaries in Congo, following which he was ordained to priesthood as a Jesuit, moved to Europe, eventually returning to his native village where he became a husband and father.

A new and expanded edition of the reference flora, the result of 20 years of studies and floristic surveys on a multitude of urban wastelands, allowing, through 600 photographs and 800 original drawings, to recognize and name some 300 silent plants that we come across every day: a methodical herbarium of the wastelands which constitutes a true guide to biodiversity, beautiful and playful, accessible and rigorous..

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

The fourth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from March 2020 to April 2021. It reviews exhibitions by Valentin Carron, Sean Landers, Adam Pendleton, Louise Sartor, New York: The Eighties, Sarah Lucas, Shara Hughes, Paloma Varga Weisz, Claude Rutault, and several Consortium Museum concerts.

Under a title in the form of an inventory that could list as many photographic subjects, this book exhaustively documents Pierre-Olivier Arnaud's work since the early 2000s.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

A collective improvisation as part of a creative research academy focusing on listening as a philosophical, artistic, social and somatic issue.

Publication dedicated to the Jardin aux habitant·es, a work by the artist Robert Milin produced in collaboration with volunteers for the opening of the Palais de Tokyo, a community garden that brings together, since 2002, amateur gardeners, who are members of an association.

A concise introduction to the Jack Pierson's photographs, collages, word sculptures and more across four decades.

The widest and most complete overview of Cinzia Ruggeri's career to date.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music (new augmented edition).

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

Father and son collaborate on a photographic panorama of humanity.

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

First comprehensive monograph of the Swedish queer and feminist performance artist.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

The manufacture of contemporary art objects.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

The audience's human body and the museum institution.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

First monograph.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."

A portrait of the Swiss architect-designer couple that reveals their intimate universe and their relationship to art.

Wicked Little Town gathers more than fifty artists and critical thinkers traversing trans-temporal imaginations of resistance, unruliness, and non-compliance across genders, abilities and national borders.

An overview and perspective of the different aspects of Etienne Bossut's practice.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

This monograph surveys the first decade of the legendary Korean artist's career from 1987 to 1998.

Peter Piller's peripheral excursions around Bremen.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Dedicated to the activities of the Association for the Palliative Turn (APT), The Palliative Turn Number 1 proposes a fundamental shift in our attitude towards art and culture, informed by the practices of palliative medicine and care.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.