In this text, poet Jacques Sivan creates an imaginary planet populated by mortals, a mirror of our world through which he investigates the nature of language.

Artist's book based on four recent bodies of sculptures by Federico Pepe.

First and extensive monograph dedicated to the drawings of an artist hitherto primarily distinguished as an artist of the book, a typographer and a etcher, revealing the many aspects and the autonomy of the practice of drawing, as well as its role and importance in Johannes Strugalla's artist's books and whole production.

Christian Bernard's collection of poems in sonnet form.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

Painter Gerhard Richter and filmmaker and writer Alexander Kluge composed a collection of 39 stories in connection with the history of the 20th century and the month of December, illustrated with 39 photographs.

A set of photographs and texts / a large original photograph.

Suspended spaces #2 is a trip in the libanese territories. It develops artistical proposals and philosophical approaches of modernism in a middle eastern country.

Special offer for the purchase of Suspended spaces #1 and 2.

Luxurious box set of three books dedicated to the monumental eponymous body of works.

Documenta 4 in film.

Documenta 5 in film.

First monograph dedicated to Xavier Noiret-Thomé's pictural telescopings, between figuration and abstraction, between iconophilia and iconoclasm, between references to art history and borrowings from contemporary popular culture (with two essays and an interview).

A text by Christof Migone on a history of sound art and its relation to performance.

First monograph dedicated to the glamorous and saturated paintings, sculptures and collages of the French artist who works the way a drag queen makes herself up.

Water, porcelain bowls, hydrophones, condenser microphones, metal wire and wood spoons (vinyl re-issue of the CD released by and/OAR in 2009).

"Das Institut" presents a lavishly illustrated review of the productions, exhibitions, and collaborations in which it has been involved over the past three years in the style of a business report.

Artist's book: a deconstruction of four monumental charcoal drawings, details of which are reproduced at the scale 1/1 and whose book offers a new reading.

Collection of poetry written in jail by award-winning poet and opponent to the Syrian regime Faraj Bayrakdar. With a foreword by French poet Michel Deguy.

This poetic text borrows from the vocabulary of the tale to express the experience of maternal suicide.

A drift through an exhibition in book form.

Catalog published to accompany the eponymous exhibition at the Fondation d'Entreprise Ricard and beyond, celebrating the tenth anniversary of the Pavillon Neuflize OBC, the Palais de Tokyo's research lab. A project curated by and a book edited by Claude Closky.

A book conceived as a further elaboration of Charlotte Moth's artistic practice, linking different projects that have been realized since 2009.

The continuation and end of Guillaume de Lorris's Romance of the Rose, written in 1216 but unfinished, by artist and writer Bruno Di Rosa.

New monograph.

Artist's book: 32 inkjet print / polyurethan “posters” by Lucie Stahl (with three essays on her work).

New monograph / artist's book.

This first retrospective monograph, edited by Rhea Anastas, offers, through original contributions by MaryJo Marks, Martha Buskirk, and Catherine Quéloz, alongside extensive visual documentation of many unpublished works, a new reading on McCollum's work.

New monograph.

Retrospective of Maurizio Cattelan's exhibition at the Guggenheim New York in an extraordinary box set (photos by Pierpaolo Ferrari).

A collaboration of the sound poet Anne-James Chaton, guitarist Andy Moor (The Ex) and musician Alva Noto (Carsten Nicolai): a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend.

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

A film by Robert Milin to question the conditions and implications of “art in the suburbs.” (with Sylvie Blocher, Thomas Hirschhorn, Didier Marcel, Guy Tortosa...).

Djamel Tatah's notebook (photos, texts and drawings).

Djamel Tatah's notebook, with an original artwork signed by the artist.

The fourth publication from an ongoing collection of fragmentary texts, written daily by poet-artist Fabrice Reymond.

Artist's book: a compilation of SMS sent by François Curlet since more than 10 years, between haiku and aphorism, with a series of drawings by Mrzyk & Moriceau.

Reference monograph.

This first monograph retraces the artist's career since 2005 and explores the various facets of his work through lavish illustrations, an essay by Laurent Buffet and an interview with the artist by Marjorie Micucci.

Monograph on Miroslav Tichý's unconventional and artisanal (blurred, underexposed photos, taken with handmade cameras) but powerfully evocative work.

Artist's book.

An essay of political philosophy in which José M. González García examines the role of the metaphor in politics throughout history.

An inventory of gestures of artists who deliberately destroyed their own works.

The contemporary field of sculpture.

Collective book with essays by leading art historians and experts based on a series of conferences held at Witte de With.

12 postcards of the Arc de Triomphe, Paris, decorated with cut out and pasted panties patterns.

A project that presents and discusses contemporary design practices that engage with political and societal issues.

First book dedicated to Jennifer Bolande's work, spanning three decades of her work in a wide array of media.

Works 2007-2011, with a new essay by noted British critic Rebecca Geldard as well as a preface by curator and art historian Daniel Kurjaković.