A compilation of texts, poems and stories whose title is borrowed from the safe words used in BDSM practices.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

A transdisciplinary history of exhibitions.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

First monograph dedicated to British filmmaker and video artist Stephen Sutcliffe. Including commissioned essays and an interview with the artist, At Fifty examines over twenty years of film collages practice, delving into Sutcliffe's extensive use of television archives and critical reflection on British cultural identity.

A collection of essays and portraits on one of the most influential art critic and curator of today.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Thirty texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston.

Oliver Marchart traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and “biennials of resistance.”

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

Catalogue.

In this book, the 1923 manifesto “Active Art” by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.

A socio-political history of punk and post-punk covering four decades and three continents.

This reader gathers more than twenty leading curators and thinkers who present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy in curatorial practice.

This collective study examines the influence of Joseph Beuys's concept of social sculpture in the evolution of artistic practices from the 1970s to the present day.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

The seminal tale of Iannone's advocacy for sexual liberation.

Peter Halley's multimedia installation for the Magazzino del Sale N. 3, a 15th-century warehouse in the Dorsoduro district of Venice.

A collection of all writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful.

This publication presents the results of a research project which explored the transformation of informal structures within the road transport corridors connecting Eastern and Western Europe following the fall of the Iron Curtain.

Artist's book.

Monographic catalogue dedicated to the life and practice of Christoforos Savva, whose oeuvre was unparalleled in the incipient Cypriot art scene of the 1960s (catalogue of the exhibition at the Cyprus Pavilion at the 58th Venice Biennale, honoring the 50th anniversary of the artist's death).

A compilation of press archives related to Cypriot artist Christoforos Savva, selected in the Cypriot press and literary periodicals between 1954 and 1968.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

Artist's book.

This publication looks back on Laure Ghorayeb's transition from writer to painter.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

The complete writings of an influential figure.

Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

Retrospective monograph.

The French translation of the second novel of the German writer.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

The definitive edition of Loren Connors' texts.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, produce one and the same complex sound material, a homogeneous and multiple sum, advocating a freedom nestled in the interstice of notes.

This theoretical essay advocates for the overcoming of the dominant notion of the contemporary as the point of departure for the development of (art-) historical imagination.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.