English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

“In This Lingering Twilight Sparkle” finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror...

Artist's book / catalogue

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

Jean-François Bory's travel diary to Japan.

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

Artist's book.

The 24th issue of the New York music magazine focuses on the figure of Sun Ra.

The soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack on CD, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

This reader revisits the formidable legacy of Russian revolutionary,  feminist, political refugee and diplomat Alexandra Kollontaï (1872–1952) in light of current feminist struggles. Includes the first English translation of the 1977 biographical play Kollontai by Swedish writer Agneta Pleijel.

The book contextualizes the Creativity Exercises—an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977—within the postwar intellectual networks that connected artists, architects, educators, sociologists and other socially engaged professionals.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

In this book, the animation of commodity objects magically ties together erotic frolics and political horrors: from a DC07 vacuum cleaner to a detention center for refugees, from little irons, socks and sweaters, to the particulars of post-Soviet power, and Vladimir Putin.

A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.

First monograph by Charlie Engman, the rising star of fashion photography: a vast series of pictures (500 images) of his mother, made over the course of more than a decade. With texts by Rachel Cusk and Miranda July.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

This monographic study catalogs, explores, and interprets the manifold manifestations of music in Thomas Pynchon's novels.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

A new artist's book that goes far beyond the mere reproduction of photographs and masterfully reflects huber.huber's artistic practices in the special medium of the book.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

Catalogue, with a series of photograms, exhibition views, an interview and a text by Clara Schulmann.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

Aurel Schmidt's drawings.

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

This publication explores the pioneering role of 19th century photographer Eadweard Muybridge in the development of moving-image projection. The study also maps the exceptional influence of his experiments on contemporary world's visual form.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.