Artist's book (a series of ex-votos in the garden).

Ingo Niermann devises in this book ten provokingly simple ideas which would see Germany work it out after all, including a new grammar, a new political party, assigning allotment gardens to unemployed people and retirees, and the Great Pyramid, the tallest building of the world which would serve as a democratic tomb for millions of people.

An essay on French artist Paul Chenavard (1807-1895), romantic cursed painter-prophet, illustrating the distance between the historic claims which build the modern myth of the artist and a relative efficiency.

A photo book in which Laetitia Benat, Mark Borthwick, Takashi Homma, and Henry Roy describe four scenes of everyday life.

Katagiri's skillful pen drawings.

First publication dedicated to Dutch artist (artist's book).

A philosophical essay reflecting on ethics and poetics through the thought of Gilles Deleuze.

An account of Pierre Courtaud's nativity told with press fragments from December 26, 1951, the author's day of birth.

Penultimate volume of notebooks recounting the scientific-poetic journey of poet Julien Blaine in search of the original language. Here, he reflects on linguistic works by Jean-Pierre Brisset and Jules Hermann, but most and foremost on Hans W. Bornefeld's research on Cro-Magnon glyphs.

13 British and French researchers in popular music studies highlight the differences and similarities between two contexts and two research traditions to better understand the amplified music on both sides of the Channel.

Investigating the aesthetic notion of Gesamtkunstwerk within t>he realm of literature, Jacques Sivan presents a meta-graphic narrative in color, composed of a superimposition of visual communication items, informative writings, typographical games…

A tale of war bringing together soldiers' testimonies found on various websites—American news channels, websites on war, cellphone videos broadcasted on Youtube…

A history of television that's both technical and sensitive: between personal memories and a chronology of advances and innovations, Alain Bourges plunges us into the world of television in his own way.

This catalogue features 187 artistic projects, including 60 previously unseen works (new expanded edition of a 2003 catalogue).

A modernized translation of Dante's Inferno.

A bibliography of the Prime ministers and Presidents of the French Fifth Republic.

Presented as the apocryphal diary of dancer Nijinsky, this polyphonic text gives birth to a schizophrenic world in which are investigated the relations between the author, the reader, and the subject.

An experimental detective fiction highlighting the dangers of mass media.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

An attempt to transform the media image of Valérie, a former reality TV competitor, through a writing process.

An essay on the the appearance of the image.

An attempt to answer the question of desire, through a series of hypotheses.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

Publication gathering a series of early works from 1962 by French artist Jean-Luc Parant. These 176 hieroglyphs consist of 88 drawings to read, and 88 texts to look at.

A gamebook in which the reader evolves in a burroughsian world threatened by a crime and terrorist corporation.

A poetic contemporary adaptation of the mythical figure of Helen of Troy.

A collection of trite and commonplace remarks from the everyday life.

Two texts of poetry examining the organization of everyday speeches. The publication includes a CD with audio recordings by the author.

Anne-James Chaton in search of the lost manuscript of Virgil's Aeneid in the city of Naples (a text and a radiophonic creation).

A lexicon to look back at the 2005 French riots.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.

The making of Pierrick Sorin's video works (catalogue).

A face-to-face between two of the most significant figures in contemporary photography.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.

The first monograph devoted to Gilles Barbier.

While looking for French criminal Jacques Mesrine's grave, Charles Pennequin engages in a poetic and politic reflection against French society.

An aesthetic essay on social media and the youth.

A fragmentary essay investigation the characteristics of the novel as a literary genre.

A piece of concrete music based on voices of children of Lionel Marchetti's family, recorded in familiar holiday places.

Luxurious publication in a box conceived by the graphic design team documenting the project by Hans Ulrich Obrist and Philippe Parreno (limited edition).

A luxurious catalogue of Serrano's new body of works, with an essay by Hélène Cixous.

Drawing on fresh readings of Marxist and post-modern thought, renowned German cultural critic Diedrich Diederichsen compares the abstract and climbing values of artworks with the plunging value of music—a traditionally immaterial art—in order to formulate a broad reflection on the current “crisis of value in the arts.”

As a Weasel Sucks Eggs examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains readings of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf.

This book discusses Michael Sailstorfer's most recent work, with a special focus on issues of space and site specificity.

A study of the concept of otherness in Edmund Husserl's phenomenology (with a special project by Olafur Eliasson).

These Ruins You See shifts between politics, history, heritage, and identity in an attempt to find, in the present, the vestiges of archaeological practice in Mexico.

With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model (contributions by Lars Bang Larsen, Charles Esche, Peter Friedl, Liam Gillick, Jörg Heiser, Tom Holert, Sarah Morris, Heike Munder, Jean-Christophe Royoux, Beatrix Ruf...).