Surveying figures ranging from Clement Greenberg to Jacques Derrida, this compendium of 20 short essays by New York-based critic Barry Schwabsky focuses on his reflections on art writing itself.

Twelve theoretical investigations on the crisis (both economical and personal) issue—from fields as diverse as philosophy, politics, media theory, environmental activism, feminism, post-human theory, literature, geopolitics, art, and economics, originated with artist Deborah Ligorio's research.

A complete survey of performance arts between Quebec, Colombia, Spain, Switzerland, Uruguay, and Vietnam.

Models of subjective and situational ethics in the contemporary cultural field.

Theoretical reflections and insights into alternative artistic working models.

An inventory of Lutz Bacher's works from 1975 to 2013.

Transcript of Jeff Wall's extraordinary lecture on Marcel Duchamp's great legacy Étant donnés, presented at the First Annual Anne d'Harnoncourt Memorial Symposium, September 11, 2009, at the Philadelphia Museum of Art.

Part essay, part autobiography, the first book by Japanese filmmaker Daïchi Saïto offers a reflection on the artist's life, career and practice. With a foreword by André Habib, professor of film studies at the University of Montreal and a specialist in experimental cinema.

Mustapha Akrim's works mixes at once protest, aesthetics, philosophy and politics. The project documented in this catalogue questions labour and education—two notions symbolized by the recurring motif of the fly. As a work in progress, “Iqraa” also refers to the idea that nothing is fixed—neither aesthetically nor politically.

Catalogue / artist's book.

New monograph.

First monograph.

Nine texts by Gilles Barbier.

Nine texts by Gilles Barbier, accompanied by an unique work, resin and feathers on cardboard.

Gavin Butt and Irit Rogoff raise the question of “seriousness” in art and culture.

A catalogue that proposes an open narrative through the objects on display and questions the position contemporary design plays in the dialogue between people and every day objects.

A comprehensive documentation on the Austrian art collective's exhibition and elaborate site-specific performance at the 21er Haus in Vienna.

Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.

Through the medium of distinct films, Astrid Schmetterling and Lynn Turner investigate contemporary questions regarding the ethics of recollection and memorialization within visual culture.

Interview with Emilio López-Menchero around a commissioned work executed by the artist as part of the New Patrons program.

An introduction to the painting based artwork of Danish artist Mette Winckelmann.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

Reference monograph.

Richard Hawkins' first book of fiction: eight jubilatory and decadent short stories.

Recent video works by the Swiss artists duo: a deconstruction of the cinematic codes within our visual culture.

A series of letters written by Christodoulos Panayiotou during a stay in Japan.

Chilean journalist and independent curator Valentina Montero outlines some of the milestone events and moments that led to Chile's advanced neoliberalism, and its effects upon education and culture, detecting signs of hope in the lively student movement that emerged in 2011.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

First monograph.

Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity.

The transcript of a piece that Paul Sietsema did in early 2011 for an exhibition in Los Angeles.

First monograph.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

The Looping Papaye Bar was an eccentric hangout initiated and steered by Mauro Paolozzi, Rafael Koch and Dimitri Broquard. This publication brings together the A4 sized invitations drawn with pencil by Dimitri Broquard for the events that took place at the ephemeral bar in 2012. Broquard took inspiration from ancient reproduction techniques such as etching, or from classical themes seen in art history and the decorative arts.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

Artist's book.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture (available in English edition).

First French translation of the 1983 artist's fiction book by Richard Prince.

A new work based on a series of photographs made by Richard Prince when he was student in France (artist's book): a window into Prince's formative period.

The collection of "critical dreams" made and transcribed by the art critic and curator Jean-Max Colard between 2005 and 2013, nocturnal side of his regular writing on art activity.

The sport center designed by Rémy Marciano in Châteauneuf-les-Martigues, South-East France, inspired Stéphane Nowak Papantoniou to write a poetic text on the athletic body.

The Silo auditorium in Marseilles is an architecture of industrial splendor designed by Roland Carta. The building inspired Édith Azam a poetic text on the notion of spectacle.

A study of the work of Olivier Mosset in 46 chapters.

This set of cards features 50 drawings by Masanao Hirayama, each of them printed twice. It can be played as a memory game, or as the Japanese card game Karuta, or simply as a game with your own rules.

A collection of poems inspired by the Greek mythological figure of the female sphinx.

Artist's book.

A New Patrons project, 2010.

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

Four short essays in which philosopher Alain Brossat analyzes the use of the term “democracy” in contemporary discourse.