A manifesto for an organic architecture that provides a new reading of Patrick Berger's proposal for the Canopy of Les Halles in Paris, and of the main research and experiments undertaken by the Parisian architect during his career, by comparing architectural and biological structures.

Ten texts written by Peter Wächtler between 2011 and 2013.

Travel notebook dedicated to the joys of gastronomy in France and the world by poet Henri Deluy.

A protean series of works in which artist Fatima Mazmouz thinks her pregnant body as an artistic process and as a place of performance.

The novel by Brian O'Doherty, written from the perspective of the Chevalier d'Eon (1728-1810), who lived as both man and woman, French spy and European celebrity, reveals the radical modernity of one of the eighteenth century's most mysterious figures.

First monograph.

Andrea Pichl's photographs, sculptures, and drawings to date, with two essays by Sven Beckstette and Gabriele Knapstein.

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

A new collaborative publication, that has evolved within the framework of two geographically separate yet collaboratively conceived exhibitions.

Comprehensive monograph.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

The publication, conceived by Clegg & Guttmann, is a response to Maier-Reimer's invitation to present his recent body of work for his contribution to the exhibition “Villa Romana 1905–2013: Das Künstlerhaus in Florenz” at the Bundeskunsthalle, Bonn.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

Three artist's books in a box set.

Seven fold-out posters and a text by Martin Herbert.

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

An extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today.

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

Texts and interviews around the work of dancer and choreographer Xavier Le Roy (available in English edition).

Michel Parmentier's writings and interviews.

Critical texts by Kim Gordon brought together for the first time.

Artist's book.

A new perspective on one of the most sticking bodies of work to have emerged in the last twenty years.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

First major publication on Ed Atkins' work.

Reference monograph.

A selection of Erik Steinbrecher's collected sketches and drawings from the early 80ies up until now.

New monograph.

New expanded edition: this reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation.

Luis Camnitzer plays the Drawing Room Confessions.

Artist's book.

Artist's book / catalogue.

Artist's book / catalogue.

The first catalogue raisonné of editions and multiples by Matt Mullican.

Critical photography.

The art of etching in Hartung's work

A complete documentation on Francesco Arena's installation for the Italian Pavilion at the 55th Venice Biennale.

Six hundred watercolors realized by Yvan Salomone during the first fifteen years of his career (1991-2006).

An anthology.

A philosophical, historical and poetic book project based on the Central Asian Pavilion at the 55th Venice Biennale.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

An historical and theoretical investigation into art teaching and transmission.

This script by Peter Greenaway follows Russian director Eisenstein to Guanajuato, Mexico, where he worked for ten days on Que Viva Mexico. Ten days that shook Eisenstein face to face with sex and death which changed the man and the filmmaker.

First monograph.

Questioning neoliberalism: a collection of Jeff Derksen's writings on art, architecture, and globalism.

A double portrait of Libya.

The collaborative construction and deconstruction process of the tower designed by Tadashi Kawamata for the Parc de la Villette in Paris.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).