A selection of about 2.000 mail art works on paper (drawings, collages…) created between 1991-1994 by the artists' trio. They would mail each other pictures, repeatedly overpainting and adding to them until they comprised several layers. Each book cover is unique, individually designed by Eric Schumacher and Andrea Clavadetscher.

This graphic anthology is dedicated to Elvifrance, the scandalous French publisher of erotic comic books whose catalogue was under the fierce scrutiny of French censorship authorities from the 1970s to the 1990s. The publication takes a look back at this infamous history through many unpublished archives and a wide selection of covers. It also features an ensemble of covers revisited by some forty contemporary graphic artists.

This artist's book presents a collection of parking tickets from a private hospital in which the artist was admitted. The tickets are colored with the help of a color chart created from photographs of morning skies and of flowers his sister brought him.

A collaborative 2-CD album by Japan noise legend Masami Akita alias Merzbow and Czech seven-member ensemble Opening Performance Orchestra. The first CD features four folk-inspired Merzbow compositions. The second CD gathers two live recordings of the Opening, made in Tokyo and Prague.

Conceived as rendering of a live concept the Berlin based duo of Tony Buck and Magda Mayas have been developing during one year or so, featuring multi-speaker and multi-layered audio, the essence of Stereo sees SPILL performing in the studio, improvising and reacting to previously recorded improvisations and pre-structured, pre-recorded elements.

The second issue of the magazine FREEING (Our Bodies) is dedicated to the musical work of Frédéric Acquaviva: some forty prestigious contributors (Jean-François Bory, Broutin, Laurent Cauwet, Henri Chopin, Jacques Donguy, Michel Giroud, Bernard Heidsieck, Joël Hubaut, Dorothy Iannone, Otto Muehl, Virgile Novarina, ORLAN, Jean-Luc Parant…) examine and pay tribute to this original creator through poetic texts, portraits, drawings, photographs, interviews, chronicles…

Concerto for town and voice created from recordings collected the same day in London and Paris, and illuminated by the voice of mezzo-soprano Loré Lixenberg.

This catalogue gives a critical overview of a key American Pop artist focusing on specific themes within his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Includes essays by Chris Sharp and Sabrina Tarasoff.

Initiated from the Book of Air project, Vvolk is one of the only acoustic ambient orchestras in the world.. Composed of 18 musicians led by brothers Stijn and Bert Cools, the orchestra is known for it's whole night laying down concert. This album, the third in the“Book of Air series”, is a slow paced 60 minute piece composed by Stijn Cools.

Initiated from the Book of Air project, Vvolk is one of the only acoustic ambient orchestras in the world.. Composed of 18 musicians led by brothers Stijn and Bert Cools, the orchestra is known for it's whole night laying down concert. This album, the third in the“Book of Air series”, is a slow paced 60 minute piece composed by Stijn Cools.

The most important monograph to date on Stéphane Blanquet: designed by the artist, the publication gathers ancient works and new ones, created for his exhibition at Auberive Abbey in France. Drawings, terracotta, tapestries, lithographs, photographs… This monograph provides a broad look at Blanquet's erotic and nightmarish universe.

Since 2013, Ramuntcho Matta has been developing a daily drawing practice associated with writing. This publication presents the complete series of Matta's early morning poems-drawings.

The first volume of the sung interviews by mezzo-soprano Loré Lixenberg (with Phill Niblock, Pauline Oliveros, Trevor Wishart…).

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

A palimpsest reconstruction of French Jesuit missionary Alexandre de Rhodes's (1591–1660) Rhodes of Viet Nam: The Travels and Missions of Father Alexandre de Rhodes in China and Other Kingdoms of the Orient, originally published in 1653 (artists' book).

A multifaceted examination of sound as a central feature in urban planning.

Produced on the occasion of Janssens' first exhibition in the Nordic countries, in Kiasma, this monograph focuses on an essential aspect of her practice: the exploration of luminous matter. It brings together installation views from the last twenty years as well as essays on the artist's examination of visual perception in her work.

This publication provides the first overview of Christiane Pooley's work to date: a landscape painter unveiling the instability of social structures, the Chilean artist has developed a universe which summons the sublime, the melancholy and the political. With texts by Marie Maertens and Laura Morrison.

This catalogue presents an overview of the duo's projects in the last years, unfolding a personal universe bringing forward nature as a space for political expression. It is structured through a conversation between the artists and Juan Canela, including diverse graphic material and several specific extrapolations written by critics and curators.

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

Two electronic pieces by avant-garde Romanian composer Octavian Nemescu. Recorded in 1982, Gradeatia is an ambient track designed to accompany the mural paintings at the Voronet monastery in Romanian Moldavia. The second composition, Natural, appears in its original version of 1973, and in its final version of 1983.

First monograph: minimalist artist Eva Evrard explores the book form, sculpture and installation to question the complexity of the body. Her artistic project is defined by its formal polysemy, inspired by American conceptual art and the renewal of the Arts & Crafts movement.

This monographic catalogue explores the artistic activity of Virginie Barré over the last ten years, focusing on her video works and their poetic themes from childhood to dreams.

This monograph spans forty years of drawings and works on paper, offering an insight into a lesser-known part of Moulène's artistic practice. A jubilant documentation rich with autobiographical elements.

This artist's book designed by Belgian artist Olivier Foulon is the result of a years-long research on an abandoned sculpture project by Isa Genzken in Rotterdam. It features two essays on Isa Genzken by Jan van Adrichem, a section gathering archival documents, and a comprehensive press kit referring to the aborted project.

A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice.

An an extensive analysis of the advent of Christian visual culture in the Kingdom of Kongo and its and development across four centuries.

Artists Gast Bouschet & Nadine Hilbert, and Laura Mannelli, collaborate on a selection of works that explore the concept of worlds within worlds based on Dante Alighieri's opus. These visual narratives are complemented by texts from writers Benjamin Bianciotto, Agnès de Cayeux, Peter Gray, Didier Ottaviani and Catherine Vidal.

A collection of experimental poetry.

In 2017, Shane Lavalette crossed Switzerland to do a photo essay on Swiss rural life. To that end, he followed the itinerary taken some eighty years ago by Swiss photojournalism pioneer Theo Frey. This publication juxtaposes these old and new views of the Swiss countryside to offer up an unusual and moving portrait of a nation.

José de Jesús “Chucho” León Hernández is a part of Mexico City's nightlife. For over twenty years he has been photographing the city's vibrant music scene, the carryings-on at underground venues and gay clubs, the newcomers and leavers, rising stars and departing legends.

First monograph: focusing on French painter's Julien des Monstiers most recent work, this publication features a rich iconography with reproductions and exhibition views. An introductory text by Frédéric Valabrègue invites us into the artist's studio, and the interview by Alain Berland gives a formidable insight into des Monstiers' practice.

20 proposals for the intersection of artistic practice and research in academic milieu.

Two studies by the pionneer of the popular music studies.

Since 2003, Thomas Hirschhorn has produced large drawings of about three by four by himself, or with the philosopher Marcus Steinweg, which he calls "Maps", in which he interacts with colored images, fragments of texts and his own comments. This volume focuses on this particular aspect of his practice.

This publication is the result of a collaboration between artist Jorge Méndez Blake, curator Rodrigo Ortiz Monasterio and graphic designer Santiago da Silva. Gathered around a shared interest for Mexican poet José Juan Tablada, the three authors attempt to offer contemporary interpretations of the seminal themes in his work (orientalism, relation betwenn literature and architecture…).

Interview with influential astrophysicist Aurélien Barrau on animal welfare and related issues, including ecology and vegetarianism.

Fourth publication by the collective Suspended spaces, which questions the connections between stories and territories, in the former Portuguese colonies in Africa, Brazil, Portugal and France.

This publication is the first in a series of books dedicated to the exhibitions at the Fondation Salomon in Annecy, France. It examines the work of French artist Charles Le Hyaric with an essay by art historian and critic Ann Hindry.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

An overview of Pascal Rivet's artistic practice through an examination of his favored subjets: rural traditions, farming, sports, and the working world.

Solo album of the world legend bansuri master from India. The acclaimed flautist recorded it in a 16th century Church in the Netherlands. The record gathers musical improvisations on bansuri with tanpura and flute as accompanying instruments. Ajanma takes the listener into an intimate and meditative communication with Chaurasia.

This series of four short volumes documents an experimental project by the Colombian artist focusing on the psychological dimension of architecture based on the feeling of déjà-vu.

Produced as a follow-up to three previous publications edited by Mamco between 2010 and 2017, this monograph is a compilation of found images associated with Yvan Salomone's own photographs. It also features an interview with the artist and new essays examining his practice.

This LP draws on twenty years of archives recorded by Charles Pennequin on mini-cassettes. Spontaneous recordings of his readings, unpublished solitary monologues, vocal and sound experiments, ambient sounds were selected and edited in the studio by the poet, and thought of as a global composition that goes through different registers and eras of his poetry.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This publication accompanies Torbjørn Rødland's touring exhibition “Fifth Honeymoon,” featuring thirty new photographs and a new video work, his first in eleven years, as well as newly commissioned essays by the American writer and cultural theorist Sianne Ngai and artist colleague Matias Faldbakken.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.