The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

A collective exploration of the relationship between contemporary art and archeology.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

The debut studio album from the Montreal supergroup Pangea de Futura, an octet that has been exploring since 2019, the many ways of—slowly—constructing massive textural musical shapes and droning tribal post-rock ambiances.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Jordan Nassar, Whitney Biennal, Martha Jungwirth, Saj Issa...

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

Unreleased tapes from the 70s and 80s.

Charles Fourier or utopia as reality.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

How queer theory can wed its critically anti-normative impulses to the empirical need for a state.

A collection of poems generated between 2020 and 2022 by an Artificial Intelligence trained exclusively on poet Charles Bernstein's entire corpus.

A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future.

An investigation of the multiple in art, through the works of some thirty artists.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

The fifth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

Charles Fourier and the origins of feminism.

Saxophones, voice, electronics and percussions, recorded remotely between France and Australia, with texts/poems by James Worse, and artwork by Steven Stapleton (Nurse With Wound).

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

The continuation of the sound adventures of the duo after "L'impatience des invisibles". A new studio album plus a second CD including the tracks released on vinyl by Mind Records, on mini-CD by Lenka Lente and with a live track in trio with Richard Franès (Pointe du Lac).

Unreleased tapes from the 70s and 80s.

The Anti-aesthetic at forty, Chryssa, Sung Neung Kyung, Ed Ruscha...

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

The experiments of three musicians with different backgrounds who improvise together around continuous sinusoidal waves, between minimal and rock sensibilities.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

A true homage to the low end: six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The inaugural edition features 18 artists, and showcases over 80 original artworks and literary texts.