The Alien Issue features writing on the alien and alienation by Sarah Hennies, Franklin Bruno, inti figgis-vizueta and James May on listening to ourselves and each other, Marc Hannaford, Nicole Kaack in conversation with Jeremy Toussaint-Baptiste, Charmaine Lee and id m theft able on building a home, Matana Roberts, Jacob Wick, Wendy Eisenberg, Chris Pitsiokos and Ben Young on WKCR and Triple Point Records, a contribution to the 2019 exquisite corpse series by Lester St. Louis, and more. The print edition includes very special full color reproduction of Charles Gaines's Librettos.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

The fifth issue of the annual magazine mixing graphic design, publishing and architecture questions these disciplines through the theme of obsession.

Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, produce one and the same complex sound material, a homogeneous and multiple sum, advocating a freedom nestled in the interstice of notes.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

A transdisciplinary history of exhibitions.

The great tumult of space.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

A short story by Pierre Loti (1850-1923), which tells the irremediable separation of a couple of beggars who have lived together for a long time, illustrated by a sound piece by Quentin Rollet and Romain Perrot (Vomir).

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

Art beyond good and evil.

Anniversary special issue: a return on 25 years of reviews.

The art scene of Kosovo.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

Told by Charles Berling, the film by Gilles Coudert juxtaposes the director's experience as an adolescent growing up in the biggest project ever built by Le Corbusier in Europe, in Firminy, France with insights from several contemporary artists including architects, a choreographer, a filmmaker, a designer and a composer. Architectural historian Jean Louis Cohen provides comment as do several inhabitants and users of Le Corbusier's complex.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation, centered around a long unpublished transcript of a talk poem by David Antin.

What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

The memories of saxophonist Steve Potts, collected by his friend Michel Edelin.

10 exhibition reviews (Mike Kelley, Matthew Brannon, « Peindre la nuit », Trisha Donnelly...), 8 interviews (Yan Pei-Ming, Ashley Bickerton, Nathalie Du Pasquier, Arno Brandlhuber, Rob Pruitt, Emily Mae Smith, Ida Tursic & Wilfried Mille...), 9 exhibitions in pictures, some artists special projects, and the chronicles.

An exploration of the theme of emptiness in art (exhibition catalogue).

Elian Radigue; sound and magic; Arnaud Rivière / Mark Morgan / Blenno die Wurstbrücke; James Saunders; Bill Orcutt...

Concert by the improviser quartet recorded in public on September 22, 2018 at the Romanesque church in Vézac (France).

This publication gathers the outcomes of a research project bringing together sociologists, art historians and artists to investigate the frontier as both a subject and an epistemic framework.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio. This Artist Edition includes an additional 7" record, engraved with an exclusive track on one side and etched with a Charlemagne Palestine drawing on the other.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

This catalogue documents a collective exhibition program inspired by the writings of Charles Fourier. “L'Écart absolu” is a dialogue between architecture, artistic heritage and contemporary works, in which artists come together, interact and experiment on the edge of design, visual arts, decorative arts and applied arts.

This November in Artforum we ask: repair or revolt? We invited Charles Gaines, Ed Ruscha, Jim Shaw, and Sue Williams to create projects on politics. Ewa Lajer-Burcharth reflects on the art of Eugène Delacroix, Rachel Churner on the art of Maren Hassinger, Ian Volner on the Venice Architecture Biennale, Melissa Anderson on Luca Guadagino's Suspiria, plus exhibition reviews from Paris, Vienna, Ho Chi Minh City, Johannesburg, and more.

This catalogue questions the place of U.S. Latino and Latin American art in U.S. museums and art history. It engages a series of artists working across a range of media—from installation and performance to drawing and video.

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

Visions of Apocalypse.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

The third and last volume of the publication dedicated to the French underground musical scene.

Acousmatic Striptease, a performative text by Thibault Walter; Musique Action 2018; improvised music in the Netherlands; Ring-Modulation #28 by Kasper T. Toeplitz; interviews with Marisa Andersaon, Peter Ablinger, Christine Wodrascka; carte blanche to Richard Bokhobza and Thomas B.; chronicles and disc reviews…

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

The growth of thought on ornament, applied arts and architecture in the industrial age, between ornamental impulse and decorative project.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

J.G. Ballard, Nicolas Ballet, Alexandra Bircken, Jimmy Desana, James Horton, Ana Jotta, Martin Laborde, Jonathan Martin, Sibylle De Laurens, Pascaline Morincôme, Clément Roussier, Catherine Roudé, Marion Scemama, William J. Simmons, Sabrina Tarasoff, Cosey Fanni Tutti, Charles Veyron, David Wojnarowicz.