Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

Anne Imhof; General Idea / AA Bronson; P. Staff; Jamian Juliano-Villani; Richard Kennedy; Sara Sadik; Pol Taburet; Ligia Lewis...

The first solo album of the French saxophonist, flutist and visual artist Sakina Abdou is the culmination of a path initiated more than twenty years ago on various aesthetic paths and in different contexts and artistic experiments, of a sound research started in 2021 around the solo saxophone, and of a tour in the United States in the fall of 2022.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

The inaugural volume of the biannual publication created by fashion industry veterans Phillip Bogart Duncan and Charles Daigrepont Desselle, offering an authoritative, fresh perspective on fashion photography.

The return issue of Luvah journal, after a long absence, on the theme of power relations.

A photographic essay on the spiritual and architectural dimensions of the candle.

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

An album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow, that testifies to his art of collective experimentation.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

The diffusion and applications of Fourierist thought in the United States during the 19th century.

The status of the face in a society of images.

This publication presents a group exhibition of eighteen young artists who graduated from Ensba de Lyon in 2020, in the context of a health crisis that did not allow them to show their work under the usual conditions.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

An original meeting, powerful and explosive, between Charlemagne Palestine, Eric Thielemans and Oren Ambarchi.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The first publication dedicated to the visual work of writer and performer Anne-James Chaton.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

How the impact of code on everyday life has become comparable to that of speech and writing.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist and composer Jeff Parker and his ETA IVtet.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A dialogue between the saxophone and the viola.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

A panorama of the contemporary underground graphic scene, at the crossroads of drawing, comics and illustration, through the exhibitions, the numerous collective projects and the works of more than fifty international artists associated with the history of the mythical Parisian gallery Arts Factory (from Nine Antico to Willem through Charles Burns, Stéphane Blanquet, Hervé Di Rosa, Kiki & Loulou Picasso, Killoffer and Pierre La Police).

A collection of texts about time and artists working with it.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

The third issue of the annual graphic design journal, dedicated to image and print techniques, with Atelier Martial, Benrido, Erwin Blok, Lorenz Boegli, Kévin Bray, Alex Chavot, E + K (Élise Gay & Kévin Donnot), Rémi Forte, Nelly Gable & Annie Bocel, Ivan Murit, Peso Pluma, Service Local, Charles Villa, Jan De Vylder & Inge Vinck.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

Contemporary art and performative practices in Africa.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

The second issue of the annual review of the École des arts décoratifs de Paris, devoted to the question of the vulgar, explores through creations, portfolios, interviews, fictions and theoretical texts the polysemy of this word which embodies all the tensions of our time.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

Afterall issue 52, entitled "New Politics", featuring: contextual essays by Natalia de la Rosa, Thomas (T.) Jean Lax, Pascal Gielen; Jonas Staal by Sven Lütticken, Jonas Staal by Kim West, Kapwani Kiwanga by Elvan Zabunyan, Aldo Tambellini by Hanna B. Hölling, Aldo Tambellini by Barrington Matthew, Feminist Art and Activism in South Korea by Hyeonjoo Kim...

The Art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling.