Mark Lewis' location photographs.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Filmed installations and interview.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

German artist's "word-images" (early works).

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

First monograph.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

The art scene for collectors, and art and economics.

First monograph.

An experimental narrative by writer and poet Jerome Mauche.

In his seminal essay, author George Baker links Gerard Byrne's work to theatre and notes that the presence of avant-garde dramatist Bertolt Brecht has never been less discussed, but more widely explored, than in the last decade of artistic practice.

Artist's book: a series of bank notes brought together, lying on the floor.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.

Kawara's Date paintings, telegrams and books from the One Million Years series.

This catalogue is the most comprehensive treatment of Michaela Melián's œuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist's work.

A source book on uses of multiplication techniques in contemporary art. With contributions of Bob Nickas, John Armleder, Seth Price et Ivana Keser. Guest artists : Fabrice Gygi, Allen Ruppersberg, M/M (Paris), Philippe Parreno, John Armleder, Pierre Huyghe, Isa Genzken, Liam Gillick, Robert Morris, Xavier Veilhan...

Catalogue.

Filliou's catalogue raisonné.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

Olivier Benoit (acousticized electric guitar) and Jean-Luc Guionnet (alto saxophone) present seven journeys, seven light touches, at times on the brink of silence.

Artist's book: a series of collected photographs, derived from advertisements, referring to the father figure.

Various documentary approaches of Fabrice Hyber's work and an original video work conceived for this DVD.

Fully illustrated catalogue realized for the 9th edition of the Geneva Biennial, a festival dedicated to artists' film and video.

Bob Nickas' writings.

Bob Nickas' writings (English edition).

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

The Rectange label once again "recycled" by Xavier Garcia.

A collection of film stills by Jonas Mekas, with notes by avant-garde filmaker.

The film and video biennale catalogue.

Catalogue of the second edition of Manifesta – European Biennal of Contemporary Art, presented in Luxembourg.

The Rectange label "recycled" by Xavier Garcia.

Artist's writings.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.

Unpublished text with an original artwork signed by the artist.

Unpublished text with an interactive silkscreen print that the reader must complete and send to the artist.

Bob nickas' exhibition catalogue, presenting some On Kawara's Date paintings in face of various contemporary photographies.

Portrait of On Kawara by René Denizot.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with an introduction by Giulio Carlo Argan.

Silkscreen (120 numbered and signed copies limited edition).